Emerging Talent Film Festival - Summer 2024
Are you an ambitious filmmaker or screenwriter who wants to move forward in your career? Do you have a new short film or screenplay that deserves recognition? Could you be a rising star of tomorrow?
The Emerging Talent Film Festival has live screenings four times a year, numerous awards in many categories combined with a unique networking event. It is organised by the programmers from the New Renaissance Film Festival - one of Film Freeway's top 20 best-reviewed festivals, known for artistically-driven programming. From our inception in 2016, we have been introducing promising filmmakers and screenwriters to producers and industry professionals to help them with their careers. Since 2021, NRFF London has awarded more than £5,000 in cash prizes to emerging talent thanks to the generosity of our patron. These artists are individuals with a genuine commitment to working in TV and film and who are producing exciting, new work.
Why should you submit?
• Your film will be watched and judged by A JURY of established producers, directors and filmmakers from the TV and film industry.
• You have the chance to WIN LAURELS for your film or screenplay i.e. Finalist, Official Selection and Winner. These seals of approval can open doors to other festivals and marketing opportunities.
• If you are a filmmaker, GET YOUR FILM SCREENED. A selection of the nominated films will have a live screening at the cinema during the festival
• Selected filmmakers will be invited to ATTEND OUR NETWORKING EVENT in London with members of the jury, NRFF's patron Katie Partridge (the Saphira Group), representation from production companies and fellow filmmakers. Filmmakers will have a chance to articulate what their needs are to the various parties
• Selected screenwriters will be invited to PITCH YOUR SHORT FILM SCRIPT to the audience present at the awards presentation and the networking event.
How does submission process work?
• Although we advise you to submit into one of the MAIN CATEGORIES as well as one of the SUB CATEGORIES, feel free to pick and choose.
• After we've received all submissions we will decide who will be a Finalist. Each Finalist will receive a laurel and will compete with all other Finalists to be Officially Selected.
• Those who are Officially Selected will receive a laurel for this and will be Nominees in the various categories.
• All Nominated Films will be invited to attend the Awards Presentation and the Networking Event in London. A selection of the nominated films will have a live screening at the cinema during the festival.
• The Winners will be announced at the Awards Presentation. The winners will receive a Winners Laurel.
• A selection of the winners will be invited to the workshops and the screenings at the NRFF London festival in London in September
Reviews:
"Jan and Massi's festival is fiercely dedicated to promoting the highest caliber of independent cinema around today. Their commitment to championing filmmakers who they believe in is unparalleled in my experience. I've made friends and potentially collaborators for life. I am so privileged to have been a part of this inspiring and life-changing festival.” (Zoë Greenbaum, Emerging Talent Winner)
“I honestly can’t praise this festival high enough! Jan and Massimo are two of the best, most passionate festival directors I’ve ever met. Brilliant audiences that genuinely want to be there, an amazing cinema and brilliant networking throughout. I’m not alone in saying this festival has probably changed my career! Thank you!” (Nicholas Connor, Emerging Talent Winner)
“It's a brilliant festival. One I will continue to submit to throughout my filmmaking career.” (Chris Overton, Oscar Winner)
“This festival is incredible - its focus is on the filmmaker and spotlighting original talent, whether new or emerging, and the art form of filmmaking.” (Reneque Samuels, Emerging Talent Finalist)
“NRFF is a great festival with a lovely film community. I am honoured to have won Emerging Talent and make connections with talented filmmakers at my screening and the award night.” (Michelle Jones, Emerging Talent Winner)
“This was my first in-person film festival and they did an amazing job! Thank you so much for awarding my short script the best young talent screenplay. It means so much! This is definitely a film festival to submit to.!” (Niamh Dann)
“Jan and Massimo present an event that makes me as a filmmaker proud to have been selected. Their "eye" is exactly the one you want on your film. They "see" what you mean and they value a story well told. They inspire me.” (Stephen Mills, Winner)
“What a unique and powerful force of film this is! Always a great venue and always empowering the independent film maker! Thank you for our Award for ‘Swivel’ and for everything you do to push artists, community and film to be all of who we are!” (Lois Norman, Winner)
The festival, present for fifteen years in Occitania, proposes to present short fiction and animation films to adults.
Our theme for 2024 will be "The popular party".
An honorary prize from the public and the jury supervised by a professional (eg Alain Guiraudie, Solveig Anspach, Paul Drissen, etc.) is awarded.
The duration (credits included) is thirteen minutes maximum, and will be translated into subtitles in French.
The International Horror Film Festival of Valparaíso convokes professional filmmakers and aficionados of short films, featurettes, and feature films from chile and abroad to participate with their movies, related to the genres of terror, horror, gore, suspense, fantasy, bizarre, and variants.
Objectives
Foment the production of independent films, look for novel and diverse content, and being a place for reflection and spread of independent cinema, with sights to the world from Valparaíso.
Date of the Festival.
The International Horror Film Festival of Valparaíso will be online, on on 16th / 17th/18th of December of 2023.
The MONTEMARIO SHORT FILM FESTIVAL organised and sponsored by the The non-profit cultural association "CS-COMSPE" and "Arte & Musica d'Italia" is one of the foremost film festivals in Italy encouraging the participation of young and brilliant independent filmmakers of any nationality and affording them the opportunity to screen their films to a diverse audience of filmmakers and film lovers from all over the world.
The festival's mission has always been to enhance, promote and disseminate cinematographic, audiovisual and expressive forms of film reproduction, through Short Films and Video Clips as a form of visual and phonic expression, as an effective art, as a form of social and cultural communication, develop the potential of visual artistic language, respond to the needs of cultural growth of young people in a future environment strongly communicated with the visual arts, be amazed by creative skills, to give creatives, directors and filmmakers the right space for their talent in the greatest possible visibility.
11th version of the International Documentary Film Festival Globale - Bogotá
The Globale International Documentary Film Festival - Bogotá invites documentary filmmakers and audiovisual producers to submit proposals that revolve around utopias under
construction, that is, human and non-human resistance to live in freedom and autonomy.
About the festival
Globale—Critical and Emancipatory Perspectives is a non-profit and non-competitive festival that exhibits documentaries with political and social themes. It was founded in
Berlin in 2003 and later replicated in Warsaw, Montevideo, Rio de Janeiro, and Bogota, where it has been held since 2011.
Its objective is to generate scenarios of denunciation, dialogue, awareness, and analysis of reality based on the themes established for each version. Thus, it proposes
transforming established cultural, social, and economic models. For them, we resort to the documentary without a hierarchy of formats, media, qualities, or academic or
industrial validations.
About this version
In this version of the festival, we want to focus on utopias that inspire us to continue resisting the capitalist system of exploitation and domination. Therefore, we are interested
in hopeful audiovisual proposals of living and active struggles and propose the following sub-themes:
Nature in resistance:
Proposals that leave behind the anthropocentric paradigm and focus on different ecologies, organisms, and living systems and their ways of adapting to change through
strategies such as succession, regeneration, retaking, and creating relationships with other forms of life, among others. This theme also includes documentaries that present
other ways in which people relate to their living environment and, in doing so, refuse to participate in the destruction and instrumentalization of life that capitalism promotes.
Collectivities in resistance:
Documentaries that portray the strategies of self-organization, action, cooperation, and creation of networks and communities of collectivities that oppose the various forms of
oppression from places outside the state and its institutions, thereby building paths towards a freer and more supportive world.
Technologies in resistance:
We understand technology as a set of tools, techniques, skills, abilities, knowledge, and processes. From this perspective, we invite documentary proposals that portray
experiences where technology is part of collective or community processes that create autonomy, degrees of freedom, and other/new ways of relating between ecosystems.
EXPANDED INFORMATION: www.globalebogota.wordpress.com / Facebook.com/festivalglobalebogota / globalebogota@gmail.com / @globalebogota
The Rethink Dance Film Festival is entering Season 6 this fall! This festival showcases artists in front of and behind the camera working to challenge the traditional structures of choreographic storytelling and artistic expression.
Through art, the work of choreographers, dancers and filmmakers should inspire our communities to discover our shared humanity.
Films submitted to the festival should reflect the beauty and synchronicity between the choreography of dance with the choreography of cinematography.
Narrative films of any length are eligible, as well as documentary films that capture stories from and around the world of dance.
Categories for 2023:
- Narrative Short Film
- Narrative Fiction Feature
- Documentary Short Film
- Documentary Feature Film
- Animation / Experimental Film
- Ballet Short Film
- Student Choreographers & Filmmakers
- Youth Choreographers & Filmmakers (Ages 13-19)
- Mobile Dance Films
- Youth Dance Films (Ages 13-19)
- Dance Music Video
- Photography Contest
Film Education and Welfare Foundation Aurangabad Present, 4th Year,
Reels International Film Festival uses media platform as a tool to connect audiences across cities, countries, and continents. With simultaneous screenings (OFFLINE FESTIVALS) and live Q&A’s, audiences are given the chance to experience a film festival from miles away. From the peak of Everest to the penguins of Antarctica, #RIFF brings the Northern and the Southern Hemispheres together. Because the love for cinema stretches beyond borders.
#RIFF2021 established from pride of India, Aurangabad, Maharashtra. City of ancient 68th century Mughal Empires now beat with #DigitalIndia in 2024 providing wide platform for students to professionals - preview their films on International Stage to prove themselves.
We conduct our Film festival from 17 April 2024 - 23 March 2025 every season with grand arrangements with respected jury board from different continent to judge your films and make Q&A session. Take a step and drop your films on our platform and make your self best.
Every artist bears his own responsibility for the state of reduced and diminished power of art in the modern world. We need to find new models of creation and a new peace-making and myth-making language and code of the new art of a non-violent culture of peace.
With his film, the artist can convey emotional impulses so that the viewer's soul, under the influence of the film, feels peace, harmony, happiness or restlessness, disorder and unhappiness of the artist as his own emotions.
Therefore, the film has the role of a psychagogue, i.e. the guide of the soul, that is, the great power for freeing or enslaving the soul of the viewer. That's why the artist should and must be aware of his artistic actions and work, i.e. responsible for the feelings they evoke in viewers.
Can the language of film and video art, to begin with, bring closer and connect cultures and peoples (their ideas and symbols) that are in conflict and conflict so that they can better recognize and recognize each other's right to different meaning of styles of living, creating and existing ? Can film and video art, artists and their works build a bridge between opposing fundamentalist and radical political, economic, philosophical and religious ideologies and dogmas and thus reduce extreme hatreds and radical conflicts?
Film and video art for a new non-violent culture of peace is such an art that has the power to overcome tensions between religions, languages, peoples and cultures. It is an art that, with its stylistic and montage matrices of forms and symbols that communicate or convey ideas and emotions, restores faith in the common genetic pool of all humanity that no longer wants to deal with itself alone, i.e. to support unnatural programs and agendas that lead to new divisions, conflicts and "voluntary", read violent, domination of one over another, elimination of "different", read disobedient, war of all against all and self-destruction.
Every responsible film and video artist should try to design and realize in his works of art a beneficial intersection and permeation of the opposing forces of reality and utopia, limitations and freedom, subjective and objective, material and spiritual. It is necessary to create a new ascetic film and video art of a non-violent culture of peace that can become the common heritage of people today, if we want to preserve and guarantee the sustainable development of the diversity of the differences of the specifics of humanity tomorrow.
>> IFFA | INDEPENDENT FILM FESTIVAL OF ATHENS, a yearly event taking place in March.
1 - 10 | 3 | 2024
Penco-Lirquén Film Festival understands film as a social phenomenon in constant transformation, which addresses interests and problems of society to link the public with the audiovisual pieces, thus opening instances of reflection and dialogue around the creative work between spectator and filmmaker.
This is why the event, in its fourth edition, aims to turn the town of Penco into a meeting and training point for filmmakers and the community in general, through the exhibition, dissemination and recognition of short films made in university contexts by students of audiovisual careers, as well as professionals in the area, from all over Latin America, including Chile and the Biobío region.
Vision and objectives of the festival:
A) Raise awareness: The festival aims to raise awareness about various issues related to social justice, such as inequality, discrimination, human rights, sustainability, among others. Through the films and activities, it seeks to inform and educate the public on these important issues.
B) Promote dialogue and reflection: The festival seeks to create a space for constructive dialogue and critical reflection. Through panel discussions, talks with filmmakers and chat rooms, the exchange of ideas is encouraged and attendees are invited to reflect on the themes presented in the films.
C) Inspire and motivate to action: The festival aims to inspire attendees to take concrete action in pursuit of social justice. Through the stories presented in the films, the aim is to generate empathy, motivation and mobilization towards positive social change.
D) Promote diversity and inclusion: The festival seeks to highlight and celebrate diversity in all its forms, including cultural, ethnic, gender and sexual orientation diversity. It seeks to promote inclusion and equality, providing a platform for diverse voices to be heard and represented.
E) Support Committed Filmmakers: The festival seeks to support filmmakers who address social justice issues in their work, giving them a platform to showcase their films and broaden their reach. It seeks to promote film production committed to social transformation.
F) Generate impact in the local community: The festival seeks to generate a positive impact in the local community, involving local organizations, community leaders and spectators in the activities and in discussions about social justice. It seeks to create greater awareness and sensitivity in the community about these problems.
The Maipú International Film Festival - FICMAI, shall be held from October 2 to 8, 2023, in the city of Maipú, Province of Buenos Aires, Argentina.
FICMAI aims to disseminate high-quality and top-notch technical content, accessible to all kinds of audiences, with a diverse and entertaining programme that allows cultural enrichment, encounter, reflection, and amusement. An annual meeting place for the city and a space for the exhibition of local productions.
Ànima Jove, Festival Internacional de Curtmetratges d'Animació d'Altafulla is an animation film festival, whose main objective is to create a space to disseminate the art of animation in the territory of Tarragona.
SANFICI is a space to generate meetings at different levels, with an overcoming and innovative will. First of all, it is a space for the relationship between spectators, filmmakers and theorists around cinema and all border and heterodox manifestations. Secondly, it is a special and temporary meeting point.
SANFICI wants to become, year after year, the place of convergence for world independent cinema. But it also wants to be the space where the past and the future dialogue. The place where the most diverse film traditions are embraced with their riskiest proposals.
On the border of Europe and Asia, in the 300-year-old city called the "Russian Manchester" in the middle of the Ural Mountains —
we organize an International Short Film Festival with a quarterly Official Selection and Live Screenings every summer, autumn, winter and spring.
NOW OPEN: Submissions for the Ural Shorts Spring 2024
Our mission is to seek out and unearth fresh talent in the art of filmmaking from across the globe. We aim to showcase and endorse top-tier independent short films, regardless of their origin, production year or budget. Our ultimate goal is to encourage and inspire auteurs everywhere.
Ural Shorts consists of four Seasons and Annual Award Event. Every Season the selection committee watches privately the submitted short films and chooses the Official Selections. All selected films enter the competition for the Season Awards.
Within 10 days after the Official Selection list is published the jury announces the Season Winners. The winning films enter the Screening Program in cinemas and on television for all to see.
All Season winners enter the competition for the Annual Awards in 18 nominations corresponding to the Main and Technical and Performances categories. And receive an invitation to the Annual Award Event.
The Ural Shorts Annual Event takes place in August in the 300-year-old city of Nizhny Tagil, on the border of Europe and Asia, which is called the "Russian Manchester" in the middle of the Ural Mountains. Annual Award Event consists of a cultural and educational program, the annual awards ceremony, screenings, TV interviews, workshops, and other activities.
III Zamora film festival falls in love.
Comedy short films and feature films may be entered.
Short films:
-Comedy fiction or animation
-Special section Zamora falls in love: held in Zamora
Feature films:
-comedy fiction
NEFILTRAVANAE KINO is a film festival that is held by the Short Movie Club, the platform for cinematic projects.
NEFILTRAVANAE KINO is an exploration of aestheticization and commodification in art. The aim of the festival is to expose the complexity, manysidedness, and variety of filmmaking.
Originally the festival was held in Belarus, but because of political repression and publicly stated anti-war stance, screenings and events can be held in different countries. First of all Poland, Lithuania, and Georgia.
We involve theater, artists to interpret symbols and history. We work with the audience's reaction and participants' as well.
Before you read the festival philosophy and history, let know worth reasons to be part of NEFILTRAVANAE KINO:
CONSIDERATION AND SHOWING
Your film is placed greater focus on and given due consideration. The movie will be shown on state-of-the-art film projection equipment on the large screen at the cinema theatre.
THE AUDIENCE, CROWDFUNDING
the Short Movie Club audience reached an amount 70k of filmmakers, students of film schools, cinema lovers, and film industry members from all over the world http://shortmovie.club/mediazone/
the Short Movie Club helps with crowdfunding campaigns of our selected participants.
http://shortmovie.club/crowdfunding/
REVIEW, COMMENTS, FEEDBACK
An in-depth review of the best films will be published with IMDb rating. We compile comments of viewers, cinephiles and experts. We establish connections between the filmmaker and the audience.
PARTY — AFTERPARTY
Yes, a party every day. It is the main reason…
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The concept of the NEFILTRAVANAE KINO (Unfiltered Cinema):
ALIENATION PROBLEM
We live in a world of malls and cinema multiplexes. We see that indie cinema and non-commodity art go to the periphery of public attention. Primitive attractions replace the cinematography. The escape audience is alienated behind the big screen. So modern mainstream cinema is part of a manipulating tool that leads to the society of alienation. Thus the tendency is that indie cinema becomes more unreadable for the wide audience. We should understand the context of the filmmaker to understand the independent cinema. That is why the NEFILTRAVANAE KINO concept implies the physical presence of filmmakers.
FILM SELECTION PROBLEM
Filmmakers shoot millions of movies. And thousands of short film festivals organize screenings all over the world every year. On average, several thousand films are submitted to a film festival. So various good films can be neglected for whatever reason. Often selecting probability is like winning a lottery. As a result, filmmakers are left with no feedback. It is a paradox that no one can hear you in the age of the Internet! The mainstream culture prefers attractions and casual viewing.
Also, this idea is based on the film selection problem. Perhaps it’s no surprise one person, i.e. programme director at best, or even students of film schools make a preliminary decision to select a movie. Сoncordance of judges or previewers is more seldom thing than the difference of background, tastes. So selection or judging can be one-sided or perfunctory. It is not bad as the programme director has a good taste and aesthetic sensitivity, of course. But we’ve discovered another conception of “unfiltered cinema”. We matched it against “the best of the best” way. This way aids to perceive cinematic idiom without the dictate of art-curators.
CELEBRATION OF INDIE CINEMA
So the Unfiltered Cinema Film Festival tries to avoid “the best of the best” way but it does not ignore it completely, sure. The festival selects fiction, animation, documentary, experimental and virtual reality sections. A jury awards the best film in every section. The festival holds the screenings at cinema theatres, the National Centre for Contemporary Arts, and art-spaces.
Our aim is to gather people in art, to have a dialogue to be happy with smart communication. Cinema is art but not sport. The key point of our project is to establish communication between the filmmaker and the audience.
Please, read about the festival history through the link to the festival's website. http://shortmovie.club/history/
The project aims to provide building of Cinema-van mobile library amphibia https://www.behance.net/gallery/33392769/Cinema-van-Mobile-library-Amphibia
