オンラインアクティビティと対面して実施されます。
2024年4月5日から4月11日まで、アラウコ州の州都レブ市、およびチリのビオビオ地方のカニェテ市とコンセプシオン市で直接開催されます。 サンティアゴ、セントロ・カルチュラル・エスタシオン・マポチョ、GAM、ムセオ・ヴィオレタ・パラ、チレアクトーレス、コルクデックのコンセプシオン、テアトロ・ビオビオ、コーポラシオン・アルティスタス・デル・アセロでのコンペティション展示用の国際的なバーチャルサブ会場を併設しています。 2018年以来、CINELEBUは国際アニメーション、リージョナルフィクション、インターナショナルフィクションの3つのカテゴリーで短編映画をオスカー® アワードの対象とするチリで唯一の映画祭であり、2023年以降、Cinelebuはゴヤ賞の予選映画祭となっています。
It is a festival of "silent" short films (no audible dialogue),
open to professionals and amateurs.
It is a non-profit project,
with the support of public institutions, social organizations and private sponsors who offer products or services as prizes of the festival.
カンボジア国際映画祭（2023年第12回）は、カンボジア王国と東南アジアで最も重要で業界主導の映画祭です。 毎年、このイベントには著名な写真が展示され、カンボジア国内外からのゲストも参加しています。
CIFFは、観客に映画の多様性を知ってもらうこと、さまざまな形での革新的な国際映画製作を促進すること、国内外の映画製作者がカンボジア国内外で制作した質の高い作品を紹介することに重点を置いています。
2015年以来、CIFFは環境と気候変動対策に関する特別な映画を用意しています。
CIFFはプノンペンの最高の映画館（10会場、160以上の上映、130以上の映画）で開催され、著作権を完全に尊重しています。
第14回映画祭は、「社会の変化と進歩を生み出すコミュニティシネマ」を中心テーマとしており、審査員はこれに焦点を当てたコンテンツを優先しますが、オーディオビジュアル作品の受付はそのテーマに限定されません。したがって、他の種類のコンテンツも広く受け入れられるからです。
「コミュニティシネマは芸術形式であるだけでなく、ジェンダー平等、社会正義、市民参加など、進歩的な社会の基本的価値を促進するための強力なツールでもあります。 討論、多元化、連帯を促進し、コロンビアの社会的、文化的、アイデンティティの構造を構成するさまざまなグループやアイデンティティを、地方、地域、国レベルで表現する手段を提供します。 849
このような理由から、2024年版のコムナ13映画祭「The Other History」は、コミュニティシネマに関する対話と知識交換の場を設けることを決定しました。このモダリティでは、経験、方法論、知識を私たちの街の学術部門（視聴覚制作ネットワーク、テクニカルメディア、ピーススクールなど）と共有するために、国内で最も著名なグループの参加を奨励しています。
ビデオインペリア, オフィチーネ Digitali 主催はアマチュアや専門家に開放されています。. 登録は無料です。 フェスティバルは現在、第14版であり、2020年5月5日から5月9日までインペリアで開催されます。 海外作品の締め切りは2019年12月2日です。2019年版には100カ国の21118人が参加し、88作品を上映しました。
国際カテゴリ:
外国の著者に予約されています。 セクションは次のとおりです。短編映画、ドキュメンタリー映画、アニメーション＆グラフィックス映画、無制限のランニングタイム。 作品は次のいずれかの言語で字幕する必要があります：イタリア語、フランス語、英語。 すべてのセクションの最初の選択された作品に賞が授与されます。 被験者は無料です。
エクスプローラー分類:
国内外の著者に開放されています。 セクションは、旅行ドキュメンタリー（最大30分）とネイチャードキュメンタリー（無制限のランニングタイム）です。 陪審員によって選ばれた1つの作品にのみ賞が授与されます。
詳細につきましては、当サイトをご覧ください。
The Film Festival "Artplay" is intended to prove that the cinema like a kind of art is alive and continues to be developed and served as the source of inspiration for people.
The idea of the Festival is to become the new creative platform for those ones, who are not frightened to open new corners of cinema, as well as, who with help of a certain film try to speak about the present day, just using the bright ideas and his or her inner world. Format of our Festival is short films, social advertisements, and animation films.
Today, any volunteer can become a short film director and show his film to the wide audience and the Elite of Russian film industry.
Panel of judges represents itself 6 judges, who are professional actors, known musicians, and artists, the people whose life is connected with the creativity as the profession.
Artplay Moscow Film Fest will be held from May 19-20, 2016 in the Moscow City, Russia.
Whitespace Gallery is proud to announce the 2015 edition of the Short Shorts video festival with the title Somebody Else’s Problem, and guest curated by Rachel Reese.
Selected video works will be shown at Whitespace Gallery in Atlanta, GA on August 13, 2015. A DVD anthology presenting the selected video works and their authors will accompany the exhibition.
The 2015 Short Shorts prompt uses the lens of the psychological effect known as “Somebody Else’s Problem,” or SEP, as a method to explore reactions and responses to recent American political and social events, particularly current, galvanizing American police brutality and racial discrimination cases. With protests and demonstrations fueling renewed national civil rights concerns, many of us are wondering what actions can make an impact, how to be involved, and how to transfer our individual passivity from SEP syndrome into collective forward action.
Are there connections between the ways we access and share information online, and individual civic engagement thresholds? Specifically, has instantaneous access to digital information and imagery contributed to a state of mere voyeuristic empathy, or even learned helplessness? Overload of visual information can create an environment of apathy and also a false sense of public engagement through passive forms. Does being able to see more conversely contribute to less experiential involvement by allowing screen viewing to stand in for actual bodies in real space? Does it overwhelm any desire for curiosity or engagement? We want to read, see, and learn more, but simultaneously we are restless: attention spans and comprehension rates are rapidly diminishing.
The images we see and share online are of real people in real time and space, happening “live”. Or are they? With the ever-rising influence of the media, questioning who owns and controls information is integral to discussing voice within our democratic system. Which platforms—social media, the Internet, traditional print media—do we believe to be reliable? How has the global ubiquity of smart phones, illuminated, or alternatively hindered, the distribution and perception of current political events – especially those most recently related to abuse of police power and structural racism.
How do we transfer collective energy and motivation into thinking about isolated or localized events as “somebody else’s problem” into collective societal motivations and wants? And then how do we fight against an oligarchal system masquerading as democracy in order to start real conversations and, ultimately, change?
We’re interested in representing video forms in all media, demanding a critical assessment of the systems of information and visualization we have established. What is the artist’s role in shaping public discourse, public outcry, public protest? What is the citizen’s responsibility to engage in radical political ideologies?
We seek short films and video works (no more than 10 minutes) from authors that explore and challenge ideas presented in this prompt, as well as works that open the conversation to include other related social concerns such as housing discrimination and food justice. We encourage submissions from a plurality of viewpoints, methods and forms, from artists, documentarians, students, citizens and amateurs alike.
モスト・フェスティバルは、ブドウ栽培、ワイン、カバに関連する最高の国際的な視聴覚作品を展示することを目的とした毎年恒例のイベントです。 同時に、このフェスティバルは、偉大な作家による未公開の映画を上映することで、優れた映画への乾杯を目指しています。
長いワイン造りの伝統とワイン関連の観光名所があるバルセロナ（スペイン）に非常に近いペネデスで開催されるこのフェスティバルは、オーディオビジュアル作品を通じてワインとカバに関連するブドウ栽培と芸術を促進し、ワイン造りのあらゆる側面、特に品質、多様性、ワインツーリズム、地域とのつながりなどの価値を探求したいと考えています。
"Corto Sordi", ovvero un premio dedicato al grande attore romano. Il concorso avrà il suo epilogo a luglio, ma già adesso la macchina organizzativa è partita.
Nato nel 2013, in occasione del 10° anniversario dalla morte del grande Albertone, il premio è promosso e coordinato dall'associazione Utopià di Grottaglie con l'intento di sostenere e incentivare quanti credono e vivono nel mondo della recitazione e dello spettacolo con capacità, talento e impegno professionale. Quest'anno, l'iniziativa vanta l'egida della Fondazione Alberto Sordi, ente morale nato nel 1992 proprio per volontà dell'attore romano, al fine di promuovere la ricerca scientifica sulle patologie dell'età avanzata e l'assistenza qualificata alle persone anziane, nel rispetto prima e nella valorizzazione poi della dignità della persona umana e del suo diritto alla vita e alla salute. L'evento ha inoltre ricevuto il patrocinio del Comune di Grottaglie e della Regione Puglia.
L'appuntamento per il premio “CortoSordi” è per il 19 luglio prossimo nell'atrio del primo circolo didattico “Edmondo De Amicis” di Grottaglie e sarà presentato dalla conduttrice di Telenorba, Daniela Mazzacane. Molte le novità in programma che saranno illustrate per tappe nella sezione "Comunicati Stampa" man mano che ci si avvicina all'apertura del bando.
Daazo - the European Shortfilm Centre proudly presents the 4th edition of the Friss Hús International Shortfilm Festival, which will take place at the end of March 2016 in Budapest, Hungary. The success of the last three years made it possible for Friss Hús to become one of the most important shortfilm events in Hungary.
The long term plan of the organisers of Friss Hús is to make sure that the event becomes an internationally acclaimed festival where the audience can watch entertaining and colourful short film selections and where the filmmakers can meet important professionals from the film industry as well as attend special workshops.
We hope to see you in Budapest at the Friss Hús screenings, for an all night long party or at one of the festival’s professional events!
カルチュラル・ブリタニコから心からのご挨拶と、2024年2月15日から18日までペルーのリマで開催される「X国際児童映画祭、CINI 2024」の募集を開始します。
このフェスティバルは、スルコ、サンミゲル、サンボルハ、プエブロリブレ、サンマルティンデポレス、サンファンデルリガンチョ、カマチョ、ミラフローレス（リマ市）にある英国文化センターの講堂を拠点としています。
「X国際児童映画祭、CINI 2024」の期間中に開催されるすべての上映会は、一般の方は入場無料となります。
Taos Shortz Film Fest は、世界トップクラスのショートシネマをコミュニティに引き継がれ、映画制作者に作品を披露し、ワークショップ、パネルに参加し、仲間の映画制作者、メディア企業、プロデューサー、ディストリビューターとネットワークを提供し続けています。
我々は再び世界中で傑出した短編映画を探しています。 私たちは説得力のあるストーリー、模範的なプロダクションと映画撮影と全体的な素晴らしい映画を探しています！ 今年の春、MovieMaker's Magazineの「入場料に値する50の映画祭」の1つに選ばれ、タオス・ショートツは、国の恒星的なショートパンツ映画祭であることを誇っています。
タオス短編映画祭は再び世界中で傑出した短編映画を探しています。 私たちは説得力のあるストーリー、模範的なプロダクションと映画撮影と全体的な素晴らしい映画を探しています！ MovieMaker's Magazineの「エントリー料に相当する50の映画祭」に選ばれ、Taos Shortzは国の恒星のショートパンツ映画祭であることを誇っています。
世界トップクラスのショートシネマをコミュニティにもたらし、映画制作者に作品を披露したり、ワークショップ、パネルに参加したり、仲間の映画制作者、メディア企業、プロデューサー、ディストリビューターとネットワークを提供し続けています。
話があるの？ 明らかにする秘密？ 聞こえるように叫ぶ真実？ あなたが必要なものを持っていると思うなら、あなたの映画を提出してください。
祭りの開催日：2021年3月19日～21日
www.taosshortz.com
Welcome to Kino Manchester, we operate Kinofilm, the North West of England's longest running short film festival. The dates for our next Festival (16th edition) are provisionally 26th Feb - 1st March 2020. First read about our current offers:
*NEW SPECIAL OFFER for 2019 - open to all Kino Alumni filmmakers (directors) that have previously screened at Kinoflim. If you have previously had a film screened at Kinofilm you can submit for 20% off all entry fees - but you must submit to the Alumni section to get this discount. You will be asked to enter a code that you will receive after providing evidence of your previous film screened at Kinofilm. Please also put these details in a cover letter on your FilmFreeway entry to us stating the year, director's name (which should be the same), the film's title and the programme it was in (if you can recall). Fees open at just $10.00
* REDUCED ENTRY FEES for filmmakers from EASTERN EUROPE and the Russian Federation - apx 30% off, please submit under the Eastern European section to obtain this discount. You must first contact us to provide evidence of residence and country of production to obtain this code to submit to this section. Fees open at just $10.00 or $8.50 for Gold Members of FFW.
* REDUCED ENTRY FEES for filmmakers from GREATER MANCHESTER - 30% off, please submit under the GREATER MANCHESTER FILMMAKERS section to obtain this discount.. You must upload evidence to your entry of residence within Greater Manchester and the film must be produced within the region. Fees open at just $10.00
* REDUCED ENTRY FEES for STUDENTS anywhere - 30% off, please submit under the KINO EXPOSED "Student" section to obtain this discount. You must first contact us to provide evidence of student status to obtain the code to submit under this section. Please also attach evidence to your entry on FFW. Fees open at just $10.00
* REDUCED ENTRY FEES for MICRO SHORTS (5 Minutes and under) - 30% off, please submit under the MICRO SHORTS section to obtain this discount. Fees open at just $10.00
* REDUCED ENTRY FEES for MOBILE PHONE SHORTS (10 Minutes and under) - 30% off, please submit under the MOBILE PHONE SHORTS section to obtain this discount. Fees open at just $10.00
*****A special youth section dedicated to young people of 17 years old and under. Please contact us first providing evidence of age when applying for the code to submit to this section. Please note reduced fees start at just $10.00 for Youths and Community filmmakers where the film is produced with young people of 17 and under.
**SPECIAL OPENING EARLY BIRD OFFER. ok so you don't qualify for the Alumni offer or the Student and Youth offers? Fear not, we are now offering until the 14th APRIL 25% off to everyone else from 26th Feb - 31st March (now extended till 14th April). Just submit early to qualify for reduced entry. All standard entry fees are only $15 during this period.
***FREE ENTRY - Waiver code for Iranian filmmakers based only in Iran. We realise the difficulties Iranian filmmakers experience by Western imposed sanctions on their country. We also recognise the importance of new stories coming out of work by young filmmakers and we are thrilled to have the ongoing special section in the festival for Iranian Filmmakers. Therefor our only free waiver code this year is for entries from IRAN. Please contact us first providing evidence of residence for the code to submit under this section.
****1st and 2nd features being made by Kino Alumni that have moved on to features, We would like to screen a couple of features this year to show the progression of filmmakers from shorts to features. Similarly to above you must provide evidence in your application that you have previously had a short shown at Kinofilm Festival to receive a code to submit to this section.
Women in Film
Women play an important role in filmmaking and there are many talents out there and to celebrate Women in Film we have two categories. One programme is a focus solely on Women directors, the second programme category will focus the work of women practitioners in the roles of writers, actresses, producers and Directors of Cinematography but please note the film lead roles must be female led. If you have a film that has a strong female led role or strong female writer etc and you want to be considered for this sectin of the festival please submit to the Women Practitioners category. Film Directors should submit to the Women in Film (directors category).
General Information.
Established in 1995 the festival is now in it's 16th International Shorts edition. Kinofilm has a unique reputation for showcasing the best short films from around the world, whilst being renowned for seeking out diverse, challenging and groundbreaking new films. We welcome filmmakers that are pushing the boundaries of the short film art form. The festival maintains a high standard with many European & International award-winning shorts featured in the Festival. It includes special programmes in North West Shorts (UK), British New Wave, Euro Cine, International Panorama, Kino Exposed (student and youth shorts), low/no budget shorts, Animation and various themed programmes, giving new and emerging filmmakers the opportunity to have their work screened alongside that of critically acclaimed, established short filmmakers.
Please note for 2019, the festival will move dates to February 2020. We will further welcome short films and animations from Eastern Europe as we extend the Polish festival to include more Baltic countries. This year we welcome films for this section from Romania and Russia.
As part of out 16th anniversary we are introducing a features section called Transitions for those short filmmakers that have successfully made the transition from short film to feature. This section is for previous entrants of Kinofilm Festival and can only be entered if you have previously had a short film at Kinofilm Festival. You must provide the name of the short film and year of the festival it was screened in advance of submitting..
All short films should have been completed since January 2018 to present and be no longer than 20 mins (accept documentaries which can be up to 23 mins including credits). PLEASE NOTE FILMS SHOULD NOT BE ONLINE FOR PUBLIC VIEWING. ANY FILMS THAT ARE SEEN TO BE IN THE PUBLIC DOMAIN WILL FACE DISQUALIFICATION.
WE ARE OFFERING STUDENTS (world wide) , GREATER MANCHESTER FILMMAKERS, Youths and community groups, Eastern European Filmmakers and Alumni Filmmakers 20% OF ALL SUBMISSION FEES (please see offers at the top of this entry). The discount is automatically applied when you submit your film to the relevant sections, entry fees start at just $10.00 Please note PROOF OF ELIGIBILITY MUST BE SHOWN in all these categories in advance of submitting the film, you will then receive a code to submit your film.
IRANIAN Filmmakers can submit for free (see above details).
Please note, if your film is selected for screening in one of the cinema screenings you must be able to provide either a DCP or high-quality Bluray of your film. Please contact us if any issues with this and we will try to resolve it by showing the film in one of the other programmes not requiring either of these formats. If it playing in one of our other venues then we will require a digital version, details supplied if your film is accepted.
REFUNDS GIVEN ONLY IN THE FOLLOWING CIRCUMSTANCES: Please note if you make a genuine mistake and submit your film to us not realising that it does not fit all of the criteria, or you have to withdraw it for other reasons, we will refund your fee if the request is made only within the first two weeks from the date of submission. Films withdrawn later for other reasons such as you wish to withdraw it as your film has been accepted in another festival that requires premier status, will not receive a refund. (Please note that any refunds will be after FFW (8%) and PP (3.5%) commission fees already deducted from your fee, you will only be refunded the net amount that the festival receives).
Aims of the Festival:
1. To deliver a film festival of regional, national and international significance.
2. To nurture new talent and support the work of culturally diverse, emerging filmmakers.
3. To attract an industry base of filmmakers and media industry professionals, to encourage the exchange of ideas and development of partnerships.
4. To attract cinema goers and diverse audiences that would not normally experience the short film art form or film festivals.
5. To focus on the needs of the regions filmmakers, visiting filmmakers and the region’s audiences.
ACME Comedy Theatre was founded in 1989 as a place for comedians to perform and be discovered. Since then, ACME has helped launch the career of hundreds of comedy writers, directors, producers, and actors.
Today, ACME continues to be a place for comedy performers and writers to be discovered. These days though, new talent is more often discovered through online videos, so ACME developed a new screening series. The screening series is dedicated to bringing the upcoming stars of comedy video to the big screen via ACME Comedy’s own film festival.
In the Summer of 2017 we will be screening films in June, July, August
We are excited to bring a whole new class of comedic talent to the ACME Comedy Theater.
Realizar exibições gratuitas de cinema com temática sobre o meio ambiente nas praças das cidades de Assis Brasil, Brasiléia, Epitaciolândia, Xapuri, Capixaba, Acrelândia, Plácido de Castro, Rio Branco, Porto Acre, Bujari, no Estado do Acre e Guajará Mirim, Porto Velho no Estado de Rondônia com o objetivo de difundir gratuitamente a produção de cinema latino-americana e sensibilizar a população sobre a importância do cuidado do meio ambiente, assim como intercambiar experiências e boas praticas de conservação e gerar conteúdos e informações a nível local sobre o meio ambiente e a biodiversidade.
ROFFEKEは「友人」を意味するスワヒリ語である「rafiki」と発音される。 「友情、楽しい、自由」は、ROck 'n 'ロール映画祭のモットーです。
ROFFEKEの主な目的は次のとおりです。
1) 教育・娯楽を目的として、地元および国際的なロックンロール映画およびミュージックビデオを展示する。
2) ロックミュージックの様々な側面や映画産業に関連するワークショップ、フォーラム、セミナーを開催する。
3) 新興・確立されたロックバンド、地元および国際的なロックバンドのためのプラットフォームを提供する。
ROFFEKEの使命は、ロックンロールの神話や誤解をフィルムのメディアを通して払拭することによって、ケニアのロックンロール音楽を促進することです。
