L’OEil d’Oodaaq is a French non-profit organisation that researches on video art, moving images and other forms of images in contemporary art.
L’OEil d’Oodaaq will be organising in 2023 its 12th Oodaaq Festival.
It will be held in May in Rennes.
It will be composed of: exhibitions, screenings, performances, lectures, moments of encounter.
The festival questions the place of images in today’s society and the way artists reflect on this issue. L’OEil d’Oodaaq is interested in all states of existence of images: construction, circulation, reception, as well as its recent mutations in the digital age. The organisation refers to the term of « nomadic and poetic images » in order to emphasise the moving, multiple and reflective nature of the images it is interested in.
For the 2023 edition, the festival will be mainly devoted to video art with a particular interest in works that question contemporary struggles (ecofeminism, feminism(s), social and ecological justice...). The videos, at the very heart of its programme, will be presented in screenings of programmes with several works, in exhibitions, autonomous installations, windows, and lounges.
Every year, in order to enrich its research and reflections, the Festival also gives carte blanche to local and international partners.
The selected videos can be showed in screenings, exhibitions, installations, etc.
This open call relates of course to our festival, but also to all the events that we organize or in which we participate throughout the year. Indeed, apart from its annual festival, L’Oeil d’Oodaaq implements and / or takes part in more than twenty events each year. By applying for this open call, you are submitting your work for Oodaaq Festival and / or for events offered by the association throughout the year, in Brittany, nationally and internationally. Each broadcast is done in agreement with the artists, is framed by a contract and is the subject of a remuneration (calculated for 1 broadcast or on a lump sum basis).
Galichnik Film Festival is small festival looking to leave big footprint in the sky full of festivals by providing platform for new filmmakers from the region and beyond. Galichnik is a village known for its well-preserved traditional architecture, including an amphitheater in the village square, where the festival audience will have the chance to see number of films in three competition programs: short fiction, short documentary and short animation.
The festival aspires to become a meeting point for film professionals from around the world to develop new ideas, collaborations and friendships. We are excited for the audience to be part of a unique cinema experience in an open air cinema at an altitude of 1500m.
Smita Patil International Film Festival, committed to showcasing the original voices in cinema.
The aim of the festival is to showcase films from across the globe and promote underrepresented filmmakers.
Started in 2012 by Arogya Sena, the upcoming festival marks the ninth year of the event.
The covid pandemic is an incredibly challenging time for the global filmmaking community. Filmmakers around the world are facing financial crises and increasing difficulties to showcase their work in the theatrical format. Committed to our mission to help, support and promote independent and underrepresented filmmakers in India and abroad, SPIFF sponsored by ‘Arogya Sena’ is announcing, that the entries to the 9th edition of SPIFF will be FREE OF COST.
The “Juna Kino” International Young Film Festival is an exhibition platform that brings together, based on an annual call, short films, documentaries, reports and music videos made by children and adolescents from all over the world. It is an independent cultural initiative conceived and developed by the Paso Libre Collective, whose objective is to articulate cultural and artistic projects that directly affect the community.
This festival arises as a response to the need to provide a space for younger creators, who see the cinema as a way to express their concerns.
At present, young people are highly attracted to audiovisual materials, so this characteristic will be used in their favor to involve them in the problems and themes that they generally do not perceive or attend to because they do not consider them of interest.
In 2016 we had our first edition, with more than 20 short films that were collected around the world. An audience of more than 12,000 people was reached, with 6 screenings at the Cine Morelos and 15 screenings in secondary schools in the state.
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The Chilean Museum of Pre-Columbian Art and the Indigenous Film + Video Exhibition report that from October 12 to December 30, 2021 the reception of audiovisual works will be open that will make up the official selection of the 16th Indigenous Film + Video Exhibition, which will take place in Chile and other countries during 2022 .
We are happy to announce the Call for Submissions to the 5th Edition of IMPACTE! Human Rights Film Festival of Catalonia, which will take place during the following dates:
March 4 to 23, 2025: Onsite and Online simultaneously
The Festival will be headquartered in Barcelona and will run simultaneously in other cities of Catalonia.
Call for submissions: from September 23rdh to December 1st, 2024.
Films
We are looking for stories that speak out against injustice and human rights violations around the world, films that combine rigorous investigation with narrative and visual treatment capable of impacting wide audiences. Both in fiction and documentary formats.
We are interested in criticism, but also in struggle, denunciation, defense of rights and, specifically, the proposal of alternatives: common aid, solidarity, cooperation.
The topics are free, but always within the scope of Human Rights -both traditional and of new generation-, global Justice and the culture of Peace.
We are especially interested in receiving films addressed to children and young people.
Other topics will not be considered.
The 5th International Documentary Festival of Epirus or as it became known WEST SIDE MOUNTAINS DOC FEST started in 2017 with its first edition in 2018 and the second in 2019 in the Municipality of Karaiskaki of Orini Arta. The main thought and intention of those of us who were involved in the establishment of the Festival, was the creation of an important cultural event, in one of the poorest, but also most inaccessible areas of Europe. An area of incredible natural beauty, which starts from Agrafa and the valley of Acheloos and reaches almost to Arta. The festival completely achieved its goals and so its third edition in 2020 was the one that established it, that developed spatially and spread throughout almost all of Epirus. A spread that became a reality with the participation of the Municipalities of Karaiskaki, Central Tzoumerka, North Tzoumerka, Pogoni, Preveza and Arta. The support of the Society of Greek Directors, many associations, Brotherhoods, local Federations, the Thessaloniki Documentary Festival, but also other organizations contributed to this, with the most important development being the granting of the Ministry of Culture for this fourth period.
So we can be proud that in four seasons our Festival has managed to attract more than a thousand films from more than 120 countries. And we still have a lot to do. Finally, it should be noted that with hard work and minimal resources we managed to make the festival loved by the people and every day more and more, to be established as an internationally renowned cultural event, away from the big urban centres. We have managed to strengthen the view that even the most remote areas could appropriate and integrate the culture of cinema and especially documentaries. We managed to prove that on the occasion of this festival, opportunities can be created for the development of cultural institutions, as well as alternative tourism in our country. A place that needs to take a step forward and free itself from the degraded cultural "status" that haunts it and holds it hostage to bad taste and the commercialization of absolutely nothing.
The Children's Film Festival aims to expand the boundaries of creativity for children, establish international cooperation and discover new talents. We want to unite all children and teenagers who love movies, shooting and dream of connecting their lives with this kind of art. We have been going to launch this film festival for a long time and postponed it all the time for various reasons, but now we are ready! It is when the world is going through difficult times that we want to bring a little positivity and concentrate children in a creative direction. Dream and shoot!
The tiniest bee hummingbird flits up to five hundred miles in its one continuous flight. Our festival, Hummingbird International Short Film Festival, represents this small bird's ardent determination of transcending boundaries, cooing over the confluences of divergent cultures. Our predominant motto is to seek out vehement, vogue, pertinent short films from across the globe and to showcase the narratives that resonate surpassing geographical lines.
In 2021 - 1st edition, Hummingbird officially collaborated with the British Council and received a BFI Flare package. The festival accepted 150+ films from 30+ countries across the globe. Last year, the festival authorities focused on the LGBTQ category including curated children's films, a few premiers, and a BFI Flare Package but this year they brought more than just one category on the platter.
2nd edition (2022) the film festival has officially partnered with Alliance Française to showcase the best of cinematic narratives for the viewers. It received 200+ films from more than 43 different countries in various categories. The film festival has officially selected 50+ films in exclusive categories including Fiction, LGBTQ+, Animation, Documentary, Video Art, and Human Rights. In 2022 we screened Nauha at the opening which was officially selected at La Cinef of the Cannes Film Festival, 2022. Hummingbird ended with the Clermont Ferrand Special Jury award-winning closing film “La Traction Des Poles” curated by Alliance Française.
Much like the little migratory bird Hummingbird is determined to evolve into a platform for viewers and budding filmmakers. The Hummingbird’s vision is to create a space for all, as the festival founder/ director Rajan Nath said, “The festival’s vision is to strike a rich cultural exchange and give audiences access to global cinema and its subsequent cultural pandora. We also aim to support the representation of indigenous cinema and help young filmmakers understand how international audiences see it.”
HIFF is aware that cinema holds a universal language and that is why they are motivated to provide you with the purest experience of watching global narratives. At our Third edition, we're all set to welcome shorts from all over the world. Bring in your beautiful little wonders.
Antakya Film Festival, is an International, competitive festival. (AFF) is a major destination on the Festival circuit and recognized by the sinema Academy as a Qualifying Festival in all film categories. Antakya Film Festival, It is the first meeting point of this region for the international film and media industries.
Mission is to provide a public forum in Antakya in order to advance public interest in films and the independent production of films. To draw worldwide attention to Antakya as a center for cinema. To encourage the rights of all Antakya residents to access and experience the power of independent filmmaking, and to promote artistic excellence and the creative freedom of artists without censure.
In 2023, the Festival presented 800 films, representing work that was shot and produced in 45 countries. The event offers well rounded, and for many, career-establishing experiences. Submit your work before the final deadline!
The festival is for and by independent filmmakers. The organizers of Antakya Film Festival bring 10 years of festival experience to this annual event. Antakya Film Festival accepts submissions in six categories: Narrative Features, Documentary Features, Short Narrative, Short Documentary, Experimental, Short Student, and Animation.
Submissions are open from October to September of the year, the final selection of 150 + films is announced in September, and the film festival takes place in October. Selected films in each category are eligible for several awards. In addition to our lineup of films, the festival also hosts multiple filmmaker parties and networking events at venues around Antakya and Hatay.
Rueda Libre (Freewheel) is the official call of shortFilms to Cine Libre FilmFestival, we take for symbol THE WHEEL that evokes the hills of Fredonia where children running down with wheels and tires. Now cinema is taken Fredonia and the concept of roll changes cinematically .
**Become a part of one of the most popular IMDb annual Festivals!**
Welcome to the Bristol Independent Film Festival. We are one of the UK’s fastest-growing independent film festivals!
Since we started in 2016 we have had submissions from over 120 countries. We pride ourselves on being an international film festival. We aspire to promote, recognize, and support independent filmmakers throughout the world by hosting a variety of awards to provide the best opportunities for filmmakers and help them receive their deserved recognition. We welcome submissions from a range of genres including short films, documentaries, features, animations, and screenplays.
Why BIFF?
•We aim to create a community of independent film-makers and an environment where we can celebrate independent films and our submitters’ creations.
•For each event, we provide networking booklets that include information about each winner and ways to contact them. We also provide trophies and winners packs.
•Each season we offer cash prizes to our favorite submissions to help fund their future projects.
•Finally, we aim to establish personal relationships with our submitters. We always enjoy finally meeting with our filmmakers/ scriptwriters and being able to celebrate their accomplishments in person.
Why Bristol?
Bristol was recently recognized by UNESCO as a “City of Film” alongside the likes of Sydney, Rome, and Galway. We pride ourselves on being the largest celebration of independent film in Bristol and we aim to create a hub for independent film-makers.
Judging Process?
Our submissions are judged by a jury of international industry professionals. They rate each submission on 10 different categories including cinematography, writing, pacing, and creativity. This helps them decide which submissions make it to the final stage where there will be jury group viewings to make sure we only pick the best quality submissions.
We look forward to viewing your creations and hope to meet you at our 7th annual celebration of independent film.
At the end of May 2025, the Florida neighbourhood will host the 7th edition of the FILMSERÈ – International Short Film Festival of La Florida.
This project is conceived by students from the Cinema course at the Eduard Fontserè Institute in L'Hospitalet de Llobregat, with guidance from teachers and professionals linked to the film industry, alongside collaboration from local residents, social entities, and associations, among others.
This is an event organised by local people for local people, with everyone from L'Hospitalet, Barcelona, and beyond invited to attend! It is an international festival featuring short films submitted from around the world, supported by the Les Planes-Blocs Florida Integrated Plan from the L'Hospitalet City Council.
Short films of all kinds are selected, with a single criterion: they must be of the highest quality and highly entertaining. Fiction shorts, documentaries, animations, music videos, etc., are all welcome.
Various awards are presented, some of which are monetary.
In addition to a student jury made up of 4th secondary school year (Y11) students organising the festival, we also have an official jury comprising individuals connected to film and the arts, local residents, young people, seniors, and social associations from the neighbourhood.
The festival features outdoor screenings as well as events in indoor spaces across the La Florida area. Attendance in 2021 was 400 spectators over 5 sessions, 2022 saw over 500 attendees across 5 sessions, and in 2023 nearly 1,000 spectators attended across 5 sessions, with more than 1,000 expected in 2024!
This year, we hope to break the record again. We look forward to seeing you all there!
Ooty Short Film Festival is produced and executed by Nilgiris Film Club (nfc) a pioneering film club in the mountains of Western Ghats. NFC promises film buffs a rich fare of meaningful and entertaining films from across the world, Masterclasses and interactive sessions with Directors, Producers, Actors, Retrospectives and much more thougn our weekly screening and film festivals (Ooty Short Film Festival and John Abraham International Short Film Festival).
‘Ooty Short Film Festival’ is a platform for high-quality short films made by talented Short-film Film-makers from around the world.
This Short film festival is being instituted with a larger aim to:
# Recognize excellence in contemporary short film-making and production in the world.
# Provide opportunities to connect the short film-making community, through networking and collaborative projects.
# Provide an opportunity for Indians to experience the best work of International, Indian & local film-making talent.
# To build an audience for the work of short filmmakers.
# Increase opportunities for filmmakers and provide a place to meet and share ideas and resources.
The purpose of the festival refers to awareness of both the external filters on the screen, including censorship (commercial, ideological, aesthetic), and the internal filters of screen perception and projection, including self-censorship. NEFILTRAVANAE KINO is an exploration of aestheticization and commodification in art. The next aim of the festival is to expose the complexity, manysidedness, and variety of filmmaking.
NEFILTRAVANAE KINO is a film festival that is held by the Short Movie Club, the platform for cinematic projects. NEFILTRAVANAE KINO is ADAMI Media Prize qualified festival. The International Film Studies Conference is held at the same time as the film festival. In this way, film theory and practice are integrated together at the NEFILTRAVANAE KINO.
Originally the festival was held in Belarus, but because of political repression and publicly stated anti-war stance, screenings and events can be held in different countries. First of all in Lithuania (Vilnius). For example, the 10th Nefiltravanae Kino took place in Berlin, Vilnius and Helsinki last year. There were selected 63 films for 12 film programmes. https://shortmovie.club/programmes/10-2024/
The concept of the NEFILTRAVANAE KINO (Unfiltered Cinema):
ALIENATION PROBLEM
We live in a world of malls and cinema multiplexes. We see that indie cinema and non-commodity art go to the periphery of public attention. Primitive attractions replace the cinematography. The escape audience is alienated behind the big screen. So modern mainstream cinema is part of a manipulating tool that leads to the society of alienation. Thus the tendency is that indie cinema becomes more unreadable for the wide audience. We should understand the context of the filmmaker to understand the independent cinema. That is why the NEFILTRAVANAE KINO concept implies the physical presence of filmmakers.
FILM SELECTION PROBLEM
Filmmakers shoot millions of movies. And thousands of short film festivals organize screenings all over the world every year. On average, several thousand films are submitted to a film festival. So various good films can be neglected for whatever reason. Often selecting probability is like winning a lottery. As a result, filmmakers are left with no feedback. It is a paradox that no one can hear you in the age of the Internet! The mainstream culture prefers attractions and casual viewing.
Also, this idea is based on the film selection problem. Perhaps it’s no surprise one person, i.e. programme director at best, or even students of film schools make a preliminary decision to select a movie. Сoncordance of judges or previewers is more seldom thing than the difference of background, tastes. So selection or judging can be one-sided or perfunctory. It is not bad as the programme director has a good taste and aesthetic sensitivity, of course. But we’ve discovered another conception of “unfiltered cinema”. We matched it against “the best of the best” way. This way aids to perceive cinematic idiom without the dictate of art-curators.
CELEBRATION OF INDIE CINEMA
So the Unfiltered Cinema Film Festival tries to avoid “the best of the best” way but it does not ignore it completely, sure. The festival selects fiction, animation, documentary, experimental and virtual reality sections. A jury awards the best film in every section. The festival holds the screenings at cinema theatres, the National Centre for Contemporary Arts, and art-spaces.
Our aim is to gather people in art, to have a dialogue to be happy with smart communication. Cinema is art but not sport. The key point of our project is to establish communication between the filmmaker and the audience.
Please, read about the festival history through the link to the festival's website. http://shortmovie.club/history/
The Short Movie Club provides constructing of CinemaVan ( see https://www.behance.net/gallery/33392769/Cinema-van-Mobile-library-Amphibia ).
Welcome to fear-a-thon!
Are you geared up to gorge on a nerve-jangling glut of ferociousness, disconcerting shocks, and bestial enjoyment? Come, get onboard for a diabolically tense ride, as India’s First and Only Horror Short Film Festival is back with its second edition.
Sixth Sense Horror Short Film Festival, the brainchild of Shaunak Sirrole – a filmmaker, was conceived with the ambition to congregate all horror filmmakers from pole to pole under one haunted roof and provide them the dais to unmask their talent in a genre which is less explored in a country like India.
Last year, the writer of “Final Destination”, Mr. Jeffrey Reddick was the “Guest of Honor” and Mr. Apurva Asrani, National Award Winning Indian filmmaker (Best Editing for Snip!) was the “Chief Guest” of the event. In the inaugural year, we received an outstanding 250 entries from which we screened 50 best films selected by the esteemed panel.
Making a horror film is only half the battle, it still needs to get in front of an audience, and that’s where Sixth Sense Horror Short Film Festival enters the picture. The dream behind inducting this festival in India is not only to prop up Horror Genre, but also present an exceptional juncture for filmmakers to generate enough ballyhoo and eyeballs to get sold — optimistically to a distributor that can put an adequate amount of marketing moolah behind it to transform to box office returns and even awards season buzz. When a film gets selected for Sixth Sense Horror Short Film Festival, its chances of being brought by a distribution arm shoots up.
So, what are you waiting for? Tighten your seatbelts and indulge in a global fête of an adrenaline-fueled genre. Be afraid. Be very, very afraid. Welcome to fear-a-thon!
