Das Festivalico ist ein nicht wettbewerbsorientiertes Showcase für Videokunst und Kurzfilm.
TEILNAHMEBEDINGUNGEN:
Jede natürliche oder juristische Person, unabhängig von ihrer Nationalität, kann teilnehmen.
Kurzfilme müssen eine maximale Dauer von zwanzig Minuten haben.
Eingereichte Werke müssen nach dem 1. Januar 2023 produziert worden sein.
Wenn die gesprochene Sprache nicht Spanisch ist, muss der Film Untertitel enthalten.
Alle Themen werden akzeptiert und in die folgenden Abschnitte unterteilt: Fiktion, Dokumentarfilm, Animation und Videokunst.
Golden Palmera is a film award festival championing effort and exception in filmmaking. We judge your productions by the efforts you have put into to your film to tell the world a story. We award the films that we feel are heading the right way into a remarkable career.
$5,000 prize for the most fun and creative video. The top entries will be publicly shown in the culmination of Orlando's year-long celebration of the life, times, issues and works of Charles Dickens.
he Berlin Independent Film Festival is at the epicentre for low-budget filmmaking in Europe. While the Berlin Independent Film Festival is not connected with the Berlin Film Festival (Berlinale), BIFF runs at the same time, and not far from the European Film Market and draws on all the film industry power gathered in Berlin for those events.
BIFF takes place at the Babylon Cinema in downtown Berlin. As well as a offering plenty of screening opportunities for indie films, BIFF is developing into a crucial business hub for the low-budget film industry. BIFF hosts workshops and networking social events where attending filmmakers help each other out with marketing advice and EFM tips.
With an emphasis on showcasing new filmmakers achieving great things with tiny budgets, BIFF’s exciting programme of films and events combines a commitment to indie filmmaking ideals with a solid understanding of their potential in the marketplace.
Doker entstand vor 9 Jahren, um wunderbare unabhängige Dokumentarfilme aus der ganzen Welt an das russische Publikum zu bringen und eine Diskussionsplattform für Autoren, Experten und Zuschauer zu bieten. Die Prinzipien von DoKer sind: - Wenn wir „Dokumentarfilm“ sagen, legen wir den Schwerpunkt auf „Film“. - Es gibt unzählige Möglichkeiten, einen Dokumentarfilm zu machen, aber wir glauben, dass er dramatisch und interessant sein muss. - Bild und Ton sind für Dokumente genauso wichtig wie für Spielfilme. Die Filmsprache ist universell und wir verwenden sie, um unsere Geschichten zu erzählen.
Reaching its second edition in 2015, after a one-year hiatus, the "International Exhibition of the Amazon" MIA FILM FESTIVAL comes to once again exalt the world cinema in the heart of the forest.
Divided into 18 awards, the festival comes with the intention of provoking the exchange, interaction and cultural diffusion in Brazil.
The 2015 show will also feature exhibitions of visual artists, video art and of course the competitive shows.
It will be a pleasure to receive your film, and display it in the jungle, Welcome to Western Amazon.
By revisiting the previous editions, we find classics of world cinema, as Jewish films tend to be full of questions and comments that do not boil down to religious issues. Involve culture, identity, social, political and traditions passed down from generation to generation. Issues that may be common among all people. Throughout the intense programming, fiction and documentaries, winners will be exhibited and critically acclaimed. All have been featured in several international festivals, Jewish or not cinema.
It is one of the biggest festivals of horror movies from the Amazon.
Reaching its second edition, even more frightening.
Straight from the heart of the Amazon forest, fear will arise and reward the best horror films in the world.
Welcome to our nightmare
Das Skepto International Film Festival hat einen wettbewerbsfähigen Charakter und ist offen für Kurzfilme, die keine Grenzen hinsichtlich ihres Themas, ihres Stils oder ihres Produktionsbudgets haben. Es ist offen für Kurzfilme aller Art, einschließlich Dokumentarfilme, musikalische Videoclips, Videoart, experimentelle Kurzfilme, Spots, gefälschte Trailer, neue Medienformate, mobile Videos usw.
Das Festival findet im April 2022 in Cagliari statt, mit Kollateralvorführungen zu den gleichen Terminen oder in den folgenden Monaten (vor Ende 2022 — wir planen, mindestens zwei Veranstaltungen in anderen sardischen Orten und zwei in anderen italienischen oder internationalen Städten zu organisieren). Die genauen Termine werden auf der offiziellen Seite des Festivals www.skepto.net veröffentlicht
Mumbai — seit dem letzten Jahrhundert die Stadt der Zelluloidträume — ist das Ziel von Tausenden von angehenden und professionellen Filmemachern in Indien und der Welt. Die Stadt hat viele großartige Filmemacher und Techniker hervorgebracht und Millionen Menschen auf der ganzen Welt im Kino unterhalten. Die Leute nannten es auch liebevoll Bollywood. Im hart umkämpften Zeitalter des Kinos ist das Mumbai Shorts International Film Festival die Plattform für Kurzfilmer, um ihre Arbeit in der Liga der Profis zu präsentieren.
MSIFF, eine progressive Kinobewegung, begann im Jahr 2012 mit der Konsultation hochrangiger Branchenvertreter, um das Kurzkino in den Mittelpunkt zu rücken. Das Eröffnungsjahr 2012 folgte auf die Ausgaben 2013 bis 2025 und zeugt von der großen Beteiligung und Begeisterung von Filmemachern und Branchenfachleuten aus Indien und dem Ausland. Ziel des Festivals ist es, zur Entwicklung aufstrebender Filmemacher beizutragen und eine Kurzfilmkultur in Indien zu schaffen.
Ziel des Festivals ist es, großartige Filme von Filmemachern aus aller Welt in großem Umfang zu präsentieren und gleichzeitig professionelle Netzwerke zu bieten und den Teilnehmern aktuelle Kinotrends vorzustellen. Das Festival setzt sich auch nachdrücklich für die Notwendigkeit der kommerziellen Kurzfilmindustrie in Indien ein und wird die Fragen im Zusammenhang mit Kurzfilmen vor verschiedenen Leitungsgremien des Kinos zur Sprache bringen.
Der 15. MSIFF-26 ist ein weiterer Schritt auf dem Weg zu Spitzenleistungen und zur Verbesserung Ihrer Fähigkeiten im Kino und wird mit Sicherheit einen enormen Beitrag zu Ihrem Wachstum als Filmemacher leisten.
The Festival International du Film d’Aubagne, organized by the ALCIME association, is dedicated to the promotion of young cinematographic creation and music composition for film.
Its main axes are to favor the emergence of young international talents, to be a place of training and creation for young authors such as directors, scriptwriters and composers. Highlighting cultural diversity is our axiom.
The FIFA naturally became a place of showing where the curiosity of the public is awakened, seduced by the cinematographic variety and encounters with guests of honor.
It also offers a platform for artists from image and sound, a place of sensitization and training, enabling reinforced cooperation.
*The First Festival stop is at Penn State University in State College PA, March 22-25 2017*
Dear Filmmakers,
The College Town Film Festival is thrilled to be entering it's fifth year. Along the journey, we have met talented filmmakers and artists; we have been hosted by engaged, intellectually curious students; and we have been welcomed (and challenged) by world-class faculty members who have come to define our festival.
When we first began to formulate the idea for The College Town Film Festival, we knew it had to be a traveling event. We wanted to capture the energy of a place that thrives on youth and deals in the currency of developing minds. Plus, a roadshow would allow us spread the word while gauging the pulse of the college audience. Since those early conversations, The CTFF has grown rapidly over 4 fast-moving years. We have screened Independent films (with accompanying TedTalk-like presentations and panels discussions) for large crowds on major college campuses, enabling students to discover a world of ideas and a sense of passion for issues that matter; often encountering a filmic view of our complex world that isn’t available at the local multiplex.
At the same time, the University Professors we work with are thrilled to welcome the professional Actors, Directors, Editors, Writers, Casting Directors, Crew Members and industry professionals that we invite to campus to discuss the inner-workings of film and professional production. The big surprise however, is that College Deans and Administrators enthusiastically support the festival because they’ve discovered that The CTFF fills a vital need: bringing the University together across disciplines. Which, as one administrator revealed is “normally the provence of sports and keggers… not art and ideas”.
From the beginning, we knew that colleges of communication, theatre and business/marketing would be natural partners. But every year, we discover that new faculty provosts and new deans are reaching out to us. Four short years into the experiment, The CTFF now receives unexpected and enthusiastic support across campus: with strong participation from the colleges of education, psychology, life-sciences, philosophy, engineering, theology and even medicine and computers. Our new challenge is to keep pace with this growing interest… and channel the enthusiasm into a more sophisticated and technologically-advanced platform.
When I meet with professors and deans I explain that we began with (and stay true to) two simple goals. 1) Support Independent filmmakers. 2) Introduce students to unique voices and fresh ideas “without making them feel like they are eating vegetables.” Of course, making these two ideas work together and balancing them, can be a bit of a challenge… but that tug-of-war is what led to a moment of clarity and our third goal, which is what really gives life to the College Town Film Festival. And it is the thing that excites the University faculty heads.
Each year, and with each stop on the tour, the energy and excitement around this event grows. The 2015 Penn State festival was by far our most ambitious and the most successful. Now we are being contacted by new Universities who are interested in bringing CTFF to their campus, and we are looking for filmmakers with something to say to help us grow this festival to reach more students.
The best screenings are attended by the filmmakers. That’s why we help with travel. Sometimes it’s airline tickets, usually it’s a hotel room for a few nights… often it’s both. But always the reason is the same: we want to hear your voice; learn about the backstory and listen to your plans for the future… and always, argue the merits of your film.
But beware: the conversations are real. Sometimes we agree; more often we argue — never do we pull-any-punches. That is the deal we have for you: we won’t pretend to be “the next Sundance” (blah, blah, blah) and you won’t have to worry that we’ll subject you to an audience programmed to agree with you just because you’re in the room.
We’re not interested in how your film was financed or how much it cost or why you cast the girl with the lisp. We just want to know one thing: of all the movies you could have made, why did you make this one?
So submit your film. Know that it will be reviewed by thoughtful judges. That it will be given careful consideration. And when it is accepted… we don’t just want a copy of the DVD… we want you.
MYTH Cultural society is the organizer of the Kochi International Short Film Festival of India.
MYTH is an organization which homes a group of young and vibrant film enthusiasts who are committed in creating parallel spaces for independent cinema and devoted to spreading of the knowledge of the modern visual art form to all interested.
Der Cultural Británico begrüßt Sie herzlich und eröffnet den Aufruf zur Einreichung von Beiträgen für das „XII INTERNATIONAL FILM FESTIVAL FOR CHILDREN, CINI 2026“, das vom 4. bis 8. Februar 2026 in Lima, Peru, stattfindet.
Dieses Festival findet in den Auditorien des Centro Cultural Británico in den Bezirken Surco, San Miguel, San Borja, Pueblo Libre, San Martín de Porres, Santa Anita, San Juan de Lurigancho, Camacho und Miraflores statt.
Alle Vorführungen im Rahmen des „XII INTERNATIONAL FILM FESTIVAL FOR CHILDREN, CINI 2026“ sind für die breite Öffentlichkeit kostenlos.
Das Taos Shortz Film Fest bringt weiterhin Weltklasse-Kurzkino in die Community und bietet Filmemachern einen Ort, an dem sie ihre Arbeit präsentieren, an Workshops, Panels teilnehmen und sich mit anderen Filmemachern, Medienunternehmen, Produzenten und Distributoren vernetzen können.
Wir sind wieder auf der Suche nach herausragenden Kurzfilmen. Wir suchen überzeugende Geschichten, beispielhafte Produktion und Kinematographie und insgesamt tolle Filme! Taos Shortz wurde in diesem Frühjahr von MovieMaker's Magazine zu einem der „50 Filmfestivals, die den Eintritt wert wert sind“ gewählt.
Das Taos Shortz Film Fest ist wieder... auf der Suche nach herausragenden Kurzfilmen. Wir suchen überzeugende Geschichten, beispielhafte Produktion und Kinematographie und insgesamt tolle Filme! Taos Shortz wurde von MovieMaker's Magazine zu einem der „50 Filmfestivals, die den Eintritt wert wert sind“ gewählt.
Wir bringen weiterhin Weltklasse-Kurzkino in die Community und bieten Filmemachern einen Ort, an dem sie ihre Arbeit präsentieren, an Workshops, Panels teilnehmen und sich mit anderen Filmemachern, Medienunternehmen, Produzenten und Distributoren vernetzen können.
Hast du eine Geschichte zu erzählen? Ein Geheimnis zu enthüllen? Eine Wahrheit, die schreit, um gehört zu werden? Wenn Sie denken, dass Sie das Zeug haben, reichen Sie Ihren Film ein.
Festivaldaten: 19.-21. März 2021
www.taosshortz.com
After a mini-hiatus, Short Com will be making it's return in 2019 in Edinburgh at the Cameo Cinema.
Short Com is a short comedy film festival that has grown from strength to strength from humble beginnings back in 2011, where it started in Manchester.
Short Com prides itself on the quality of its programme and the range of comedy stylings it has screened. The most emphatic thing we look for in a film is its content, its ability to make an audience laugh or smile. Short Com has screened films from BAFTA nominated films and multiple award winners to simple home made films that have warmed and vastly amused audiences.
Short Com has screened during the Edinburgh International Fringe Festival, in London and for the first time in Bristol and finished its run and closed with its award ceremony at the Glasgow Short Film Festival. One of the largest short film festivals in the UK.
Why submit to Short Com? Short Com prides itself on the quality of its programme. There is a great deal of honour to selected filmmakers who make it to the annual best of screenings. Plus it will be taking place during the world's largest arts and culture festival. In the past we have been sponsored by Blackmagic Design, Final Draft and Festival Formula all donating fantastic prizes for winning films in our category awards section. We will be looking to work with new brands to continue this tradition and bring some excellent prizes.
To get an idea of what we have screened in the past, you cans see some of the previous years winners in the links below.
http://www.shortcom.co.uk/wp/2014-2015-best-of-select-and-winners/
http://www.shortcom.co.uk/wp/2015-international-selection/
http://www.shortcom.co.uk/short-com-festival/short-com-2016-best-of-programme/
*Feature Films
We have the opportunity to extend our programming to feature films. This depends on the quality of the film and appeal it can bring. Features must be a Scottish film premier.
Contact Chris Aitken directly at info@shortcom.co.uk for enquiries.
CINELEBU möchte chilenischen und internationalen audiovisuellen Künstlern eine Plattform für die Förderung, Vermarktung und den Vertrieb von fiktionalen, dokumentarischen und animierten Kurzfilmen bieten. Das Festival fördert die audiovisuelle Produktion von hoher technischer und künstlerischer Qualität und ermöglicht und schafft gleichzeitig Räume für Netzwerke, Geschäftsmöglichkeiten, Unterstützung und Austausch für aktuelle und zukünftige Werke. Es stärkt auch die Aus- und Weiterbildung und die Entwicklung des Publikums.
Das Festival findet vom 22. bis 30. Mai 2026 in der Region Biobío in Chile statt. Hauptveranstaltungsorte sind Lebu (Hauptstadt der Provinz Arauco) und Concepción. Das Festival wird auch virtuelle Vorführungsorte auf nationaler und internationaler Ebene bieten.
The Maryland International Kids FilmFest is an outgrowth of the children's programming at the annual Frederick Film Festival -The F3- held each year in June.
Since the beginning, the F3 has been dedicated to providing not only a unique film-going experience in the region by providing premiere films as well as films not likely to be screened in the area, but also providing children's programming on Saturday mornings.
This portion of the F3's programming was so popular that the festival organizers felt an entire festival of great film should not just be reserved for adults, but be provided for the younger set as well. Often, films and programs aimed at children seem...childish. Not challenging. Safe. And far too often, not entertaining. Especially those constructed to be long commericals in the guise of young people's programming.
The Maryland International Kids FilmFest is committed to bring high-quality, challenging, and, most importantly, ENTERTAINING movie programing...in the form of short films as well as feature length films...to the state. And we can pretty much guarantee that you'll not see any film with a fast-food restaurant tie-in product.
Other film events during the MIKFF will highlight the venue itself. The Weinberg Center for the Arts is an historic building and a jewel valued by the entire state and the festival is proud to have the opportunity to show movies in one of the grandest movie palaces in the area. Take some time to walk around the building while you're here and discover what an extraordinary thing going to the movies once was.
