ZINEBI- International Festival of Documentary adn Short Film of Bilbao
ZINEBI is the only Class A international festival in the documentary and short film category in Spain. It is accredited by the Hollywood Academy of Motion Picture Arts and Sciences as a qualifier for the Oscars, for the European Film Academy’s awards, for the British BAFTAs and for the Spanish Academy’s Goyas.
Created in 1959 by the Basque Institute of Hispanic Culture, attached to the Spanish Foreign Ministry, the International Ibero-American and Filipino International Documentary Film Contest (its original name) was devised to follow in the steps of San Sebastián, which had been set up six years earlier. It is the third oldest festival in the Spanish State, after San Sebastián and Valladolid, and the first amongst those in its field. Between 1972 and 1981, it became a platform to discuss Spanish short films and a space for the dissemination of productions from all over the world, and particularly Latin America. In 1974, it was recognised by the International Federation of Film Producers Associations (FIAPF) as a contest of the highest international competitive category. Between 1975 and 1980, it was the ideal forum to discuss the arrival of what would be known as Basque cinema.
In 1981, the festival passed to the hands of Bilbao City Council. Since the year 2000, it embarked on a new era under the ZINEBI brand, when it would consolidate its position as one of the most important international festivals in its speciality. It has strived to be a platform for Spanish and Basque producers and directors and has contributed, as one of its fundamental goals, to internationally promoting the quality and independent films made around the world: films whose creative ambition is not exhausted by merely repeating hackneyed stylistic characteristics. Thanks to these very free and exceptional works, ZINEBI continues to renew its commitment each year to formal experimentation, to the interdisciplinary and hybrid of the new audiovisual productions, to support for the up-and-coming producers, and to filmmakers’ aesthetic and ethical scrutiny of the increasingly more complex realities of our contemporary world.
Throughout its long history, the festival has welcomed to Bilbao some of the most prestigious professionals of independent filmmaking worldwide. The accolades of ZINEBI include the names of Jacques Demy, Richard Lester, Pierre Pérrault, Claude Lelouch, Gian Vittorio Baldi, Carroll Ballard, Fernando Birri, Estela Bravo, Santiago Álvarez, Valeria Sarmiento, Robert L. Drew, Felipe Cazals, Peter Watkins, Peter Mullan, Lourdes Portillo, Avi Mograbi, Sergei Loznitsa, Lászsló Nemes, Nele Wohlatz and Luise Donschen. Thanks to its critical debate and specialisation, the festival has been a test bed for the new trends of contemporary cinema and a useful platform for the most daring filmmakers.
A similar headcount of the ranks of Spanish cinema reveals that the Bilbao Festival has been the launchpad of several generations of filmmakers: Carlos Saura, Basilio M. Patino, Pío Caro Baroja, José Val del Omar, Javier Aguirre, Jaime Chávarri, Francesc Betriu, Nadia Werba, Imanol Uribe, Montxo Armendáriz, Pedro Almodóvar, Julio Medem, Fernando León de Aranoa, Juanma Bajo Ulloa, Javier Rebollo, Santiago Segura, Begoña Vicario, Jon Garaño, José María Goenaga, Virginia García del Pino, Neus Ballús, Koldo Almandoz, Isabel Herguera, Asier Altuna, Izibene Oñederra and Natalia Marín.
The festival’s guests, international jury members and winners of the Mikeldi of Honour, its top annual award, include Peter Greenaway, Ennio Morricone, Jean Rouch, Dino Risi, Luis García Berlanga, Hanna Schygulla, Anna Karina, Jane Birkin, Arturo Ripstein, Elías Querejeta, Richard Lester, Pavel Paulikowski, Márta Mészáros, Jeanne Moreau, Anthony Hopkins, Vannessa Redgrave, Emir Kusturica, Liliana Cavani, Carlos Saura, Manuel Gutiérrez Aragón, Jean-Claude Carrière, Patrice Chéreau, Cecilia Roth, Hirokazu Kore-Eda, Juan Ruiz Anchía, Aki Kaurismäki, Marco Bellocchio, Mariano Llinás, Apichatpong Weerasethakul, Wang Bing, Claire Simon, Márta Mészáros, and the Jean-Pierre and Luc Dardenne brothers.
The different ZINEBI directors down through the years have been: Pedro de Ybarra (1959-1968), José Ignacio Uruñuela (1968-1970), Felipe Alfonso Araico and Adolfo Lafarga (1970-1972), Roberto Negro (1972-1981), Manu Pagola (1981-1985), the Executive Committee made up byr José Julián Bakedano, Ernesto del Río, José Antonio Mingolarra y Santos Zunzunegui (1985-1987), Iñaki Acarregui (1987-1988), Luis Iturri (1988-1998) and Ernesto del Río (1999-2017). Vanesa Fernández Guerra has been the director since 2018.
The festival is currently sponsored and institutionally funded by Bilbao City Council – through the Arriaga Theatre – as the organiser, by the Basque Government’s Department of Culture, by the Spanish Ministry of Culture – through the Institute of Cinematography and Audiovisual Arts (ICAA)-, and by Bizkaia Provincial Council. ZINEBI is also supported by private and public entities including Basque Public Television (ETB), Azkuna Zentroa, Golem-Alhóndiga Cinemas, the Fine Arts Museum, Guggenheim Museum, the Sala BBK, the Campos Elíseos Theatre, the University of the Basque Country (UPV/EHU), the French Institute, the Goethe Institute, the SGAE Foundation-Basque Council and the FAS Film Club.
ZINEBI- Festival Internacional de Cine Documental y Cortometraje de Bilbao
ZINEBI es el único festival internacional de Clase A de España en la categoría de documental y cortometraje. Está acreditado por la Academia de Hollywood como calificador para los premios Oscar, para los premios EFA de la Academia del Cine Europeo, para los premios BAFTA de la Academia Británica y para los premios Goya de la Academia Española.
Creado en 1959 por el Instituto Vascongado de Cultura Hispánica, dependiente del Ministerio de Asuntos Exteriores, el Certamen Internacional de Cine Documental Iberoamericano y Filipino de Bilbao (su nombre inicial) fue concebido como hermano menor del Festival de San Sebastián, que había nacido seis años antes. Es, tras el de San Sebastián y el de Valladolid, el tercero más antiguo del Estado y el primero entre los de su especialidad. Entre 1972 y 1981 se convirtió en una plataforma de debate sobre el cortometraje español y en un espacio para la difusión de las cinematografías más variopintas, en especial la latinoamericana. En 1974 obtuvo el reconocimiento de la Federación Internacional de Asociaciones de Productores (FIAPF) como certamen de la máxima categoría internacional competitiva, y entre 1975 y 1980 fue el lugar de debate idóneo para el alumbramiento de lo que empezó a conocerse como cine vasco.
A partir de 1981 el festival fue asumido por el Ayuntamiento de Bilbao y desde el año 2000, bajo la marca de ZINEBI, emprendió una nueva época en la que ha consolidado su posición como uno de los festivales internacionales más importantes de su especialidad, desde la que intenta servir de plataforma a realizadores y directoras de Euskadi y el Estado y ha contribuido, como uno de sus objetivos fundamentales, a la promoción internacional del cine independiente y de calidad que se realiza en los cinco continentes: películas cuya ambición creativa no se agota en la repetición de rasgos estilísticos estereotipados, obras muy libres y singulares que permiten a ZINEBI renovar anualmente su apuesta por la experimentación formal, por la condición híbrida e interdisciplinar de las nuevas producciones audiovisuales, el apoyo a los realizadores emergentes, y la indagación ética y estética de los cineastas en las cada vez más complejas realidades de nuestro mundo contemporáneo.
A lo largo de la dilatada historia del festival, han pasado por Bilbao algunos de los más prestigiosos profesionales del cine independiente mundial. En el palmarés de ZINEBI destacan los nombres de Jacques Demy, Richard Lester, Pierre Pérrault, Claude Lelouch, Gian Vittorio Baldi, Carroll Ballard, Fernando Birri, Estela Bravo, Santiago Álvarez, Valeria Sarmiento, Robert L. Drew, Felipe Cazals, Peter Watkins, Peter Mullan, Lourdes Portillo, Avi Mograbi, Sergei Loznitsa, Lászsló Nemes, Nele Wohlatz, Luise Donschen o Fern Silva. El festival, desde el debate crítico y la especialización, ha servido de banco de pruebas de las nuevas tendencias del cine contemporáneo y una plataforma útil para los cineastas más arriesgados.
Un recuento similar entre las filas del cine español, permite señalar que en el Festival de Bilbao han emergido realizadores de varias generaciones distintas: Carlos Saura, Basilio M. Patino, Pío Caro Baroja, José Val del Omar, Javier Aguirre, Jaime Chávarri, Francesc Betriu, Nadia Werba, Imanol Uribe, Montxo Armendáriz, Pedro Almodóvar, Julio Medem, Fernando León de Aranoa, Juanma Bajo Ulloa, Javier Rebollo, Santiago Segura, Begoña Vicario, Jon Garaño, José María Goenaga, Virginia García del Pino, Neus Ballús, Koldo Almandoz, Isabel Herguera, Asier Altuna, Izibene Oñederra o Natalia Marín.
Entre sus invitados, jurados internacionales o galardonados con el Mikeldi de Honor, su máxima distinción anual, están Peter Greenaway, Ennio Morricone, Jean Rouch, Dino Risi, Luis García Berlanga, Hanna Schygulla, Anna Karina, Jane Birkin, Arturo Ripstein, Elías Querejeta, Richard Lester, Pavel Paulikowski, Márta Mészáros, Jeanne Moreau, Anthony Hopkins, Vannessa Redgrave, Emir Kusturica, Liliana Cavani, Carlos Saura, Manuel Gutiérrez Aragón, Jean-Claude Carrière, Patrice Chéreau, Cecilia Roth, Hirokazu Kore-Eda, Juan Ruiz Anchía, Aki Kaurismäki, Marco Bellocchio, Mariano Llinás, Apichatpong Weerasethakul, Wang Bing, Claire Simon, Márta Mészáros y los hermanos Jean-Pierre y Luc Dardenne.
Desde su fundación, ZINEBI ha tenido los directores siguientes: Pedro de Ybarra (1959-1968), José Ignacio Uruñuela (1968-1970), Felipe Alfonso Araico y Adolfo Lafarga (1970-1972), Roberto Negro (1972-1981), Manu Pagola (1981-1985), el Comité de Dirección formado por José Julián Bakedano, Ernesto del Río, José Antonio Mingolarra y Santos Zunzunegui (1985-1987), Iñaki Acarregui (1987-1988), Luis Iturri (1988-1998) y Ernesto del Río (1999-2017). Desde 2018 la directora es Vanesa Fernández Guerra.
Actualmente el Festival cuenta con el patrocinio y la financiación institucional del Ayuntamiento de Bilbao –a través del C.A.C. Teatro Arriaga- como organizador, del Departamento de Cultura del Gobierno Vasco, del Ministerio de Cultura –a través del Instituto de la Cinematografía y de las Artes Audiovisuales (ICAA)- y de la Diputación Foral de Bizkaia. Además, colaboran con ZINEBI entidades públicas y privadas como la Televisión Pública Vasca (ETB), Azkuna Zentroa, Cines Golem-Alhóndiga, el Museo de Bellas Artes, el Museo Guggenheim, la Sala BBK, el Teatro Campos Elíseos, la Universidad del País Vasco (UPV/EHU), el Instituto Francés, el Goethe Institut, la Fundación SGAE-Consejo de Euskadi y el Cineclub FAS, entre otros.
ZINEBI
INTERNATIONAL FESTIVAL OF DOCUMENTARY AND SHORT FILM OF BILBAO
It got started in the year 1.959 and organized by the Cultural Department of Bilbao City Hall, ZINEBI will celebrate its 66th edition from the 8th up to the 15th of November, 2024.
It is the only international Class A festival in Spain in the documentary and short film category recognised by FIAPF since 1974, recognised by the Hollywood Academy as a qualifier for the Oscars among the short films from the official palmares and qualifier as well by the Spanish Academy for the BAFTA Awards and the GOYA Awards.
ZINEBI is a festival which holds all the most current forms and formats, innovative and suggestive and that is making a steady bet for the emerging authors. The line-up of the international schedule (documentary, animation and fiction) and its section ZIFF-ZINEBI FIRST FILM, dedicated to first works, are their really distinguishing mark. Honour Mikeldis are also remarkable, which recognise the prestigious career of distinguising international directors and the strict selections of its sections BEAUTIFUL DOCS, dedicated to the most relevant contemporary features and BERTOKO BEGIRADAK, a section dedicated to the Basque documentary feature films from a recent production. Besides, every year it´s celebrated the profesional encounter entitled ZINEBI INDUSTRY- NETWORKING, dedicated to promote the audiovisual Basque industry.
OUTDOOR CINEMA FESTIVAL.
Non-traveling film festival that takes place annually thinking about the exhibitions to Covid-19 distancing and free face to Covid-19.
The second edition has free entries and submissions for Angolan territory only.
The general regulation defines the rules for registration, selection, exclusion, winners,
awards and honorable mentions.
Originating in the AIFF, the Amazon Horror Intl Film Festival is a horror festival that takes place in the heart of the Amazon rainforest in the city of Manaus, Amazonas, aiming to reward the best of world horror cinema. 30 awards focusing on horror, horror, gore, thriller and related horror films. In addition to the official awards, AHIFF will award films with the best popular vote award and with honorable mentions granted by the festival.
To indigenous and non-indigenous audiovisual filmmakers, of various nationalities and territories, to submit their works on indigenous and/or Afro-descendant themes, free style and extension, of individual or collective creation, to the 8th edition of the FicWallmapu Festival, to be held between on November 14 and 18, 2023, in the city of Temuko, Ngülumapu and surrounding communes of the Mapuche territory, Araucanía Region.
Origin is an International Audiovisual Festival, which takes place in the small Granada town of Orce, known for its archaeological sites cradle of the first settlers of Europe, as well as for the peculiarity of its landscapes, its history and gastronomy.
PHILOSOPHY
What drive us:
A contest dedicated to transcendental cinema, at its several meanings, including philosophic, psychological, scientific, anthropological, spiritual and poetic cinema.
Because transcendence in the man and the world, might be eventually ineffable and, on this, cinematographic art has certain advantages, and a huge responsibility.
FREE CINEMA
All cinematographic possibilities are welcome, with a major interest on rareties
WITHOUT TIME
Cinemística as an open space-time, with non restrictive features, enabling the authors to develop their own language: all formats, duration, nationality, year of production, etc. are accepted.
A REFUGE
An international refuge for films that intend, technically or with the plot, an approaching to the big mystery of world representation, in the art and in the man. Without dogmas, under any individual or collective perspective, from faith, but also from agnosticism, spiritual atheism and scientific thought.
A POETIC CINEMA OF CONTEMPLATION
Filmmakers' looks, in all their socio-cultural diversity, interested in any film as a result of personal discovering, researching or experimentation, inspiration and work, from revelation or introspection of the authors. Quotidian, ecstasy and disparity as structures to create depth on the film treatment.
ASCETICISM
Mysticism and asceticism in film production represent, probably, a more absolute estate compare to others, because a cinema with huge budget and more technical complexity could be done, but sometimes the most humble and simple film is, however, universal.
THE STILL
Impermanent cinematographies, from the still, from 'amateur' cinema (from French verb aimer), define directors not only by what they show and how they do it on screen, but by what they decide not to show.
PHENOMENOLOGY
What appears and disappears, topologies emergence, materials or conscious, and their invisibility or subsequent expiration. The sequential surroundings of emptiness, of matters and time. Shafts at the discourse, eloquent, everyone can understand it by himself. Absence and miracle: Mystic as a possible cohabit together.
CORDIALITY, COMMUNICATION & COLLOQIUMS
Great importance of the colloquiums and live interaction between spectators and filmmakers. maximum communication, respect, sympathy and closeness from the organization to the filmmakers, artists and directors who come to present their films.
I - PRESENTATION
The SACI | CHILDREN'S ANIMATION AND CINEMA WEEK festival is intended for all national and international audiovisual producers that have any short, medium and/or feature-length animation, documentary and/or fiction and series with no time limit on the year of production and/or release, aimed at children and teenagers, as long as they have material suitable for presentation at festivals. The films must be classified as UNRATED, in accordance with the TV Rating Guide of the Ministry of Justice of Brazil. The purpose of SACI is to exhibit diverse and inventive cinematographic works.
2) The second edition of the festival SACI | CHILDREN'S ANIMATION AND CINEMA WEEK takes place between the 13th and 23rd of July in the city of Curitiba and on a digital platform available throughout Brazil. The Festival is organized and carried out by INFINITO GESTÃO DE INOVAÇÃO E AGENCAMENTO DE NEGÓCIOS EIRELI, a for-profit cultural producer under private law, CNPJ 15.721.700/0001-42.
3) The selection committee for the second edition of the festival SACI | CHILDREN'S ANIMATION AND CINEMA WEEK is composed by Célia Catunda, Isabela Silveira and Marília Hughes Guerreiro.
Place des courts is a non-profit 1901 law association, our desire to promote and publicize short films by inviting them to rural areas, share our passion by organizing outdoor festivals, and discover the talent of directors and comedians. in places of conviviality.
The Festival de Cine Comprometido de Guadalajara (FESCIGU) celebrates its 22nd edition this year, and it does so with a change of venue, since the Guadalajara City Council has decided to censor it and cancel the agreement. Therefore, starting this year the festival will take place in Azuqueca de Henares. Throughout these years, we have tried to bring our audience the best of the world of short films, with social, protest or simply humanist content. All genres fit, as long as violence is not advocated. The FESCIGU is a preselection festival for the Goya Awards.
The Kaaffilm Short Film Festival is an independent film festival that puts the spotlight on short films – a category that unfortunately doesn’t get the mainstream attention it deserves. We accept submissions from all over the world and provide a platform for short films that challenge the way we think about cinema.
3º Kaaffilm International Short Film Festival is a short film festival with a competition program for international short films. For our 2024 event, we are planning a hybrid festival presentation.
The Kaaffilm Short Film Festival is an essential platform for both emerging and established filmmakers, arguably the most important showcase for the free, independent film industry Online. The competition program for international short films attracts industry people from all over the world together, and the festival facilitates industry events such as panels and presentations, talks and open discussions, and networking opportunities connecting international film professionals.
The international competition will reward the best soundtrack, then the best film music composer who will receive the Grand Prix The international competition will reward the best soundtrack, then the best film music composer who will receive the Grand Prix “VIOLETTA D’ORO” (Golden Violette), a flower that is the symbol of Parma, but also represents the name of the most famous female heroin created by Giuseppe Verdi, much loved by the public.
In addition to the first prize, the Violetta d'Oro, will be assigned the “Violetta d'Argento” to the best movie, and Honorable Mentions to best director, best photography best actor, best script and best short film.
The purpose of this initiative is not only pointing out to the audience recent and important features, but also underlining the value of a musical score as an essential element for the poetry and the success of a movie itself.
Besides, the contest will be a chance for film makers and producers to show their own works to a various audience and to a high-qualified international jury.
In addition of the section about feature films, it has been included also a section concerning short films, that will participate in the contest for a dedicated award.
The attendance is open to feature films and videos of any nationality, subject and length (musical productions but also dramatic films, comics, historical or Tv productions, etc).
SPECIAL CATEGORY: short film of Dance, with a Jury that will give a "DANCE AWARD".
Award Ceremony will take place at Casa della Musica in Parma on September 21th 2024 at 5.00pm with Dinner Gala, at which all producers or directors who have their film in nomination will be invited.
Deadline of inscription: 15th June 2024.
International Thai Film Festival a.k.a. ITFF is an internationally recognized film industry event and registered international (IMDb qualifying) film festival of Thailand. The event of ITFF is a film screening event and film entertainment industry expo, founded by S.E.G. Alongside screenings of a wide variety of films (Official Selection), there are Panel Talks session, networking opportunities and the ITFF Award Ceremony. ITFF brings together film, animation and entertainment industry professionals from around the world, celebrating and awarding the very best productions and artists, from emerging talents to seasoned professionals.
ITFF Competition is a film, animation and video competition for industry professionals and amateurs alike, who are passionate about filmmaking and wish to screen their work and compete for ITFF Awards to gain a wider recognition and reputation in the industry.
Entrants have a chance to win a trophy and prizes at ITFF. The selection of productions is executed by the ITFF Judging Board that includes established Thai film and entertainment industry professionals and guest judges from major studios, overseas. With their extensive industry experience and knowledge, each project submitted to ITFF Competition is viewed and studied closely, awarding creativity and the execution of their story regardless of the budget of their production. Submit your work and take us on a journey that surprises us, shocks us, melts our hearts, makes us laugh or simply entertains us.
AmDocs is one of the largest Documentary and Animation only festivals in the United States. We are located in beautiful Palm Springs, not far from the media capital of Hollywood. We take pride in sharing the best viewing environment for both our audience and filmmakers.
AmDocs is very progressive in education outreach, market sharing and doing all we can to help our filmmakers realize their goals.
Violeta Film Fest (VFF) is an international film festival "For the reduction of gaps, inclusion, diversity and sorority", aims to make visible women, men, LGBTIQ+ people who generate film productions and organizations that in their programs develop actions for Diversity, Equity and Inclusion and document these actions with film productions. Films that lead to the transformation of society from 4 categories: Cinema Made by Women, Cinema made by Men for Women & Elles, Cinema Made by Elles, Cinema made by organizations in action for equity, diversity and inclusion.
Fusagasugá International Film Festival (FICFUSA) aims to bring the residents of Fusagasugá and the Sumapaz region new screens, points of view and cinematographic work of high quality to promote a critical thinking around the problems and issues experienced by women. In the short term, we aim to become an international platform for gender and women thematic films, attracting producers, directors, and distributors interested in these subjects.
Mission
The mission of the Moving Body Platform is dedicated to connecting artists and audiences through art that shares a strong choreographic sensibility. How do we move? What makes us move? Towards what are we moving? How do we move from an individual towards a collective body shaping the future of history? How do we move in times of Catastrophe? These are the issues that underline any program selection.
For more info visit our website:
www.movingbody.bg
MB#8 | Critical moves | Screenings| Open call 2023
THE WAY WE MOVE MATTERS
Critical Moves Screenings is an international competition program in the frame of the Moving Body Festival with a focus on short screen dance films.
We witness more and more evidence of climate challenges, inequality issues around the globe, and a huge polarization between individuals and nations. These diverse illnesses are interconnected and together they are creating unpredictable dynamics.
It looks like there isn’t an easy exit, neither a safe return nor a new normality. We need to learn how to navigate our lives through uncertainty and remind ourselves that challenging times are also occasions of real possibilities and major opportunities.
With our Open Call, we would like to hear your strong critical voice!
The temporary collective body that we form every year has an increasingly powerful charge of energy. It seeks, provokes, quests around, and wants to see, speak and hear. It maps the routes along which artists and audiences move through art with strong conceptual and choreographic sensibility. The edition unfolds in a rich program that hides entrances and exits to a variety of contexts and topics which meets us with works in process, research residencies, artistic practices, performances, lectures and talks, screenings, and party situations.
We perceive the critical areas that we will offer to your attention as a rich full territory in which to explore, to stand and observe, to provoke, to stand up and insist that it is important - How do we move? What makes us move? Towards what are we moving? How do we move from an individual towards a collective body shaping the future of history? How do we move in times of Catastrophe?
Welcome to edition number 8ht!
Focus
We are searching for short films which represent experiments in video art mediums, and dance with strong choreographic sensibility and original concepts. Films that explore new audiovisual lines and challenge the viewer’s perspective are very welcome to submit. The category is open to a wide range of genres, with a priority on experimental, but also narrative, social, and documentary.
We are curious to receive:
- films that are tapping into Moving Body’s platform core questions;
- films with sharp and clear concepts;
- innovative and provocative video art works that push the boundaries of the film medium;
films related to dance, choreography, or movement;
- films between 1 - 15 min.;
- films not older than 2 years;
- films not submitted to previous Moving Body editions;
- max. 2 submissions per filmmaker
We are not interested to receive:
- trailers;
- recordings of performances;
- commercials.
A film will be considered by the festival's selection committee once the online form has been filled out and the selection screener link has been sent, before the 23rd of May 2023.
