The Music Video Underground is a monthly and annual worldwide competition for music videos, dance films, animated music videos, and other special stuff made music and video.
The festival is currently accepting submissions for its 13th edition (October 2017), and got hundreds of amazing artists to line up, including Adèle, Vanessa Paradis and Macy Gray.
The September edition is accepting entries (@12th edition) starting September 1st.
The next annual event and screening will take place in Los Angeles, on May 4th, 2018.
INTRODUCTION :
The Music Video Underground is a festival 100% focused on Music Videos.
After a first edition in Paris, a vibrant venue for culture, with lots of venues for shows, the International Music Video Underground opens up for a second edition.
We select Music Videos and dance movies from all over the world and we screen it to give young artists both sides of the camera to be noticed for their talents.
OUR MOTO
The International Music Video Underground doesn’t require your music video to be perfect, or signed by a label, or managed by a production company. It requires you did it with all you had and put your heart into it. It requires you tell something with images and music.
Our goal is to screen new talents, people who don’t have the chance to be the son of an important someone, young artists that have to meet audience to grow, creators that want to show what they are capable of
The purpose of the festival refers to awareness of both the external filters on the screen, including censorship (commercial, ideological, aesthetic), and the internal filters of screen perception and projection, including self-censorship. NEFILTRAVANAE KINO is an exploration of aestheticization and commodification in art. The next aim of the festival is to expose the complexity, manysidedness, and variety of filmmaking.
NEFILTRAVANAE KINO (NoFilter Kino) is a film festival that is held by the Short Movie Club, the platform for cinematic projects. NEFILTRAVANAE KINO is ADAMI Media Prize qualified festival. The International Film Studies Conference is held at the same time as the film festival. In this way, film theory and practice are integrated together at the NEFILTRAVANAE KINO.
Originally the festival was held in Belarus, but because of political repression and publicly stated anti-war stance, screenings and events can be held in different countries. First of all in Poland (Warsaw), Germany (Berlin, Hamburg), Lithuania (Vilnius). For example, the 11th and 10th Nefiltravanae Kino took place in Warsaw, Berlin, Hamburg, Vilnius and Helsinki. The content of past years' film programs can be found on the website https://shortmovie.club/programmes/
The festival will be held in a hybrid format. We will have a part of live screenings and online screenings on a video platform https://film.nofilterkino.org/ . The video is cryptographically secured. In addition, we pay attention and promote films from our previous years that are released to the public on the Internet after their festival curcuit.
Nefiltravanae Kino involves theater, artists to interpret symbols and history. We work with the audience's reaction and participants' as well.
--------------------------------------------------------
The concept of the NEFILTRAVANAE KINO (NoFilter Kino):
ALIENATION PROBLEM
We live in a world of malls and cinema multiplexes. We see that indie cinema and non-commodity art go to the periphery of public attention. Primitive attractions replace the cinematography. The escape audience is alienated behind the big screen. So modern mainstream cinema is part of a manipulating tool that leads to the society of alienation. Thus the tendency is that indie cinema becomes more unreadable for the wide audience. We should understand the context of the filmmaker to understand the independent cinema. That is why the NEFILTRAVANAE KINO concept implies the physical presence of filmmakers.
FILM SELECTION PROBLEM
Filmmakers shoot millions of movies. And thousands of short film festivals organize screenings all over the world every year. On average, several thousand films are submitted to a film festival. So various good films can be neglected for whatever reason. Often selecting probability is like winning a lottery. As a result, filmmakers are left with no feedback. It is a paradox that no one can hear you in the age of the Internet! The mainstream culture prefers attractions and casual viewing.
Also, this idea is based on the film selection problem. Perhaps it’s no surprise one person, i.e. programme director at best, or even students of film schools make a preliminary decision to select a movie. Сoncordance of judges or previewers is more seldom thing than the difference of background, tastes. So selection or judging can be one-sided or perfunctory. It is not bad as the programme director has a good taste and aesthetic sensitivity, of course. But we’ve discovered another conception of “unfiltered cinema”. We matched it against “the best of the best” way. This way aids to perceive cinematic idiom without the dictate of art-curators.
CELEBRATION OF INDIE CINEMA
So the NoFilter Kino tries to avoid “the best of the best” way but it does not ignore it completely, sure. The festival selects fiction, animation, documentary, experimental and virtual reality sections. A jury awards the best film in every section. The festival holds the screenings at cinema theatres, the National Centre for Contemporary Arts, and art-spaces.
Our aim is to gather people in art, to have a dialogue to be happy with smart communication. Cinema is art but not sport. The key point of our project is to establish communication between the filmmaker and the audience.
Please, read about the festival history through the link to the festival's website. http://shortmovie.club/history/
For an audacious and innovative cinema which does not amount to the basic vocabulary, which really raises itself the question of the direction, for an innovative cinema which is not formated " French cinema " style excessive social realism, but which inhales the big wide with visual and sound experiments which will remain burnt in us of long weeks after the projection, and especially, for a cinema which makes us dream and like the cinema, come to WE LOVE PARIS FILM FESTIVAL.
MISSION & OBJECTIVE
The Providence Children’s Film Festival (PCFF) presents the best of independent and international children’s cinema to inspire, delight, educate and connect a diverse community of children and families from Rhode Island and throughout New England. Our annual Festival brings the world to our children and our community through important films made from extraordinary, often unrecognized filmmakers from all over the globe. Each year we search for films appropriate for youth and children with interesting stories, that offers wisdom and multiple cultural perspectives and connections across all ages. Through our thoughtfully selected films, we hope to demonstrate the artistry and craft of filmmaking and provide opportunities to discuss the stories, people and connections from near and afar.
ABOUT THE FESTIVAL
Now in its ninth year, the Providence Children’s Film Festival enhances and energizes the local arts and cultural community and has become of one the most highly anticipated family events of the year. The annual Festival takes place in February at multiple venues within walking distance of downtown Providence, with over ten days of screenings, filmmaking workshops, and free activities, along with post-film conversations that help deepen the film-watching experience and foster critical thinking skills. During the Festival, PCFF screens an average of 16 feature length films along with over 100 short films, including live-action, documentary, and animation made by filmmakers from around the world. Beginning in 2014, PCFF added the Youth Filmmaker Showcase, a juried program of films made by youth, followed by an opportunity for young filmmakers to talk about both the fun and the challenges they face during the creative process.
2017 Festival winners were…
Audience Choice Award Best Feature: FANNY'S JOURNEY (Belgium/France, 2016)
Audience Choice Award Best Documentary: SONITA (Iran, 2015)
Audience Choice Award Best Short: SUMMER CAMP ISLAND (USA, 2016)
Special Jury Award Best Feature: BLANKA (Philippines, 2015)
Special Jury Award Best Short: BIRDLIME (Canada, 2016)
Children's Hospital Jury Award: ONCE UPON A BLUE MOON (Canada, 2016)
In addition to the annual festival, PCFF presents films of the same high quality and film-related educational programming throughout the year. Children and families can learn about the history of the medium and its critical context, as well as the craft of filmmaking; through media literacy programs, hands-on workshops, and filmmaker presentations. We proudly collaborate with community organizations such as RISD Museum, Providence Children’s Museum, AS220, the Boys and Girls Clubs of Providence, Providence CityArts, Rhode Island Museum of Science and Arts (RIMOSA), Providence Athenaeum Children’s Library, Providence Community Library, Media Smart Libraries Project, and the Rhode Island Office of Information and Services.
CRITERIA
The PCFF selection committee seeks films with content that speaks positively to children, teens and families from diverse backgrounds and ethnicities. Please consider submitting if you have created work that can speak to all, including children. We seek films that are entertaining and/or challenging to young minds with serious, true-to-life topics and narratives that may span a range of emotions. The film need not have a "story-book" ending to find a place in our festival. PCFF welcomes foreign films with subtitles, documentaries, live action, animation and even experimental films that may inspire our viewers to think about the world in a new way.
SELECTION
The Director of Programming will make selections along with the Festival jury composed of educators, filmmakers, parents and children. PCFF takes pride in bringing children into the selection process; as a member of the PCFF Junior Jury, youth have a voice from beginning to end, taking part in final film selections, festival programming, and award distributions. PCFF will email all entrants no later than January 7, 2017, whether or not films have been selected for the festival. Preview DVDs, thumb drives, and related materials of all films submitted for consideration will NOT be returned unless submission includes a prepaid, self-addressed, stamped envelope.
SPECIAL EVENTS
In addition to our Opening Night Party and final Awards Presentation Event, PCFF hosts a Filmmaker Soiree’ during the festival. No box juices or Goldfish crackers here. The Soiree is a private, low-key and relaxing get together with our star filmmakers and some of our festival devotee's. In between bites you may meet some filmmakers who have films in this year's festival or share a drink with one of our invited Reel Connection speakers. You will certainly meet many of the people who helped create and support this year's festival.
YOUTH FILMMAKER SHOWCASE (YFS)
PCFF is committed to nurturing the work of young “amateur” filmmakers (age 17 and under) and so is proud to present a juried program of films all made by youth—from our local community and around the world—and to provide an opportunity for young filmmakers to talk about both the fun and the challenges they face during the creative process. This exciting screening is designed to encourage talented and committed up-and-coming young filmmakers, and to inspire those who are just thinking about it. Young filmmakers may apply as an individual or as a team. (e.g. Youth organizations, film clubs, etc.).
Mario Cervantes ha organizado el XIII Festival de cine social ManzanaREC que tendrá lugar en febrero de 2025 en la localidad de Manzanares (Ciudad Real). Los trabajos serán exhibidos en la Sala de la Casa de Cultura de Manzanares.
The Festimatge is a unique festival in Spain as it combines photography, short films and cinema 9.5 activities in one event. It is organized by Foto-Film Calella (www.fotofilmcalella.org) and has the support of Calella City Council (www.calella.cat)
The three main photography and film activities are summarized every year in FESTIMATGE, the Image Festival in Calella, which takes up the entire month of April with: photographic exhibitions, round tables, audiovisuals, workshops, seminars, screenings of retrospective films and pioneering authors of Catalan cinema, photography and film contests, international film meeting 9.5, collector's market, screenings of short films, classrooms and screenings of young films... all one showcase that turns Calella into the point of reference for fans of the world of image.
The 2019 Culver City Film Festival will be December 3rd - 8th and will be held at Cinemark 18 & XD at the Howard Hughes Promenade. Additional venues to be announced soon. All submissions are only $30.00 ($25.00 for Gold Members). Submissions are Open for shorts and feature narratives and documentaries, as well as music videos and even experimental films. Have your film screened in the heart of screen-land Culver City, CA and home of Sony Pictures and many film companies and distributors.
Submitting your film does not guarantee festival acceptance or screening. Acceptance into the festival does not guarantee award or prize. Submission fees are nonrefundable. Culver City Film Festival reserves the right to change our programming and event parties without notice.
The Cartagena de Indias International Film Festival (FICCI) is a cinematographic event with a social and cultural vision and, by choice, free and open to all. Each year, FICCI interprets the particular circumstances of Colombia, Ibero-America, and the world, offering a world-class edition guided by the preservation of freedom and the expansion of cultural dialogue through films, industry gatherings, and academic events that are relevant, human, subtle, and in constant conversation with its audience and cultural stakeholders. The festival seeks to be a space for encounter and exchange, a platform to elevate human awareness, strengthen democracy, and contribute to the creation of free, inclusive, and conscious societies.
The Cartagena de Indias International Film Festival (FICCI) is the oldest and most permanent forum in the Americas for Colombian, Ibero-American, and world cinema. Actively present on the global cinematic map since 1960, its 65th edition will continue to offer spaces for memory, reflection, a diversity of voices, and, as always, for the finest cinephilia.
The Festival values the creative freedom of filmmakers from around the world, welcoming works of any format, length, nationality, theme, genre, or technique. We seek films that meet the highest standards of quality, dare to take narrative risks, and offer proposals of great human and cinematic value, with pertinence and a vision of sustainability.
Welcome to Filmstrip International Film Festival. We’re an online and independent film festival with live screenings, that takes place in the heart of Moldavia region, in Iasi, Romania, one of the leading centers of Romanian social, cultural, academic and artistic life.
Known as The Cultural Capital of Romania, Iași is a symbol in Romanian history, and it is still referred to as The Moldavian Capital, being the main economic and business center of the Moldavian region of Romania.
Filmstrip International Film Festival is involved in promoting young filmmakers, maintaining a high standard, that of a festival eminently dedicated to spiritual and cultural values.
The best films of each category will be screened at a vibrating venue, "La Baza”, home of many cultural events in the city throughout the year.
The festival runs once a year, the whole process of selection and awarding takes place online, with live screenings being held at the end of each edition.
There will be a total of 10 films screened at our location - the AWARD WINNERS (Best Film, Silver, Bronze, Special Mention) and the CATEGORIES AWARD WINNERS (Animation, Documentary, etc).
Mumbai- The city of celluloid dreams since past century- is the destination of thousands of budding & professional filmmakers in India & world. The city has nurtured many great filmmakers, technicians & entertained the millions worldwide through cinema. People also fondly called it as Bollywood. In the highly competitive age of cinema ‘Mumbai Shorts International Film Festival’ is the platform for short filmmakers to put their work forward among the league of professional.
MSIFF, a progressive cinema movement started in year 2012 with the consultation of senior industry members to highlight the short cinema. The 2012 inaugural year followed 2013 to 2024 editions witnesses the great participation & enthusiasm from filmmakers & industry professionals from India & abroad. The festival objective is to contribute towards the development of upcoming filmmakers & to create short films culture in India.
The festival aims is to feature great cinema of worldwide filmmakers in a big way & at the same time providing professional networking & introducing current trends of cinema to the participants. The festival also strongly advocates the need of commercial short film industry in India & will raise the issues related to short films in front of various governing bodies of cinema.
14th MSIFF-25 will prove one more step towards achieving excellence & enhancing your skills in cinema & fore sure it will contribute immensely in your growth as filmmaker
Underneath the Floorboards is based in London's buzzing artistic area of Hackney.
For our 15th Edition we will be continue our online event, which will be screened for a four weeks by our online platform: https://www.visualcontainer.tv/ which screens worldwide to maximises our international exposure. We got over ten thousand views last time around, and this time we're aiming for more.
Our showcase is open to artists and filmmakers from all around the world whose work has an experimental, non-linear narrative form. We want to see variety, whether it be experimental film, video art, visual art, digital art, experimental documentary or animation. We focus especially on avant-garde storytelling.
No bias, no prejudice, we don't care if you didn't study in the most prestigious art schools. We want to see unique work of an artistic nature, which creates its own language.
The Cartagena de Indias International Film Festival (FICCI) is a cinematographic event with a social and cultural vision and, by choice, free and open to all. Each year, FICCI interprets the particular circumstances of Colombia, Ibero-America, and the world, offering a world-class edition guided by the preservation of freedom and the expansion of cultural dialogue through films, industry gatherings, and academic events that are relevant, human, subtle, and in constant conversation with its audience and cultural stakeholders. The festival seeks to be a space for encounter and exchange, a platform to elevate human awareness, strengthen democracy, and contribute to the creation of free, inclusive, and conscious societies.
The Cartagena de Indias International Film Festival (FICCI) is the oldest and most permanent forum in the Americas for Colombian, Ibero-American, and world cinema. Actively present on the global cinematic map since 1960, its 65th edition will continue to offer spaces for memory, reflection, a diversity of voices, and, as always, for the finest cinephilia.
The Festival values the creative freedom of filmmakers from around the world, welcoming works of any format, length, nationality, theme, genre, or technique. We seek films that meet the highest standards of quality, dare to take narrative risks, and offer proposals of great human and cinematic value, with pertinence and a vision of sustainability.
Accepting films and screenplay submission for March 2017. Winners will be announced on March 31, 2017.
HIMPFF is a monthly film festival with yearly LIVE screening, Red carpet Interviews and Award Ceremony held @ The Historic Raleigh Studios Hollywood.
Each monthly "Best Picture" winner gets a HIMPFF Trophy during our Live audience Screening and Award ceremony held on:
January 27, 2018.
@ The Historic Raleigh Studios Hollywood.
5300 Melrose Ave
Los Angeles, CA
90038
All winners throughout the year will be invited to walk the Red Carpet and attend the award ceremony. Films for the screening on the festival day will be picked by our programmers from the pool of winning films throughout the year.
Hollywood International Moving Pictures Film Festival Celebrates Short Films, Features, Television and New Media worldwide. Our mission is to support filmmakers, recognize their hard work, and Award them so they are more inspired to keep telling amazing stories.
Our Film entries do not compete against each other. Our Programming Department will choose films to be screened at the festival from the pool of winning films throughout the year. Not all winning films throughout the year will be screened.
Films entered in multiple categories may win multiple awards.
Check out or list of technical categories.
http://himpff.com
The International Horror Film Festival of Valparaíso convokes professional filmmakers and aficionados of short films, featurettes, and feature films from chile and abroad to participate with their movies, related to the genres of terror, horror, gore, suspense, fantasy, bizarre, and variants.
Objectives
Foment the production of independent films, look for novel and diverse content, and being a place for reflection and spread of independent cinema, with sights to the world from Valparaíso.
Date of the Festival.
The International Horror Film Festival of Valparaíso will be online, on / 12th/13th of December of 2025.
FEMCINE was created to discover and support the work done by female filmmakers and to share films with gender-based subjects with a broader audience. FEMCINE invites female directors from Chile and the rest of the world to participate in one of its three competition categories: International Feature Length Competition, International Short Film Competition, and the Chilean Film School Short Film Competition.
Tokyo Sun Film festival attemtps to setting up in Tokyo to provide independent filmmakers with a platform that offers them interaction, networking and greater visibility.
Our screening takes place at the cinema chupki theatre in the tabata District, located in the north of Tokyo - a hip location in Tokyo for independent, counter-culture and progressive thinking.
The purpose of the festival refers to awareness of both the external filters on the screen, including censorship (commercial, ideological, aesthetic), and the internal filters of screen perception and projection, including self-censorship. NEFILTRAVANAE KINO is an exploration of aestheticization and commodification in art. The next aim of the festival is to expose the complexity, manysidedness, and variety of filmmaking.
NEFILTRAVANAE KINO (NoFilter Kino) is a film festival that is held by the Short Movie Club, the platform for cinematic projects. NEFILTRAVANAE KINO is ADAMI Media Prize qualified festival. The International Film Studies Conference is held at the same time as the film festival. In this way, film theory and practice are integrated together at the NEFILTRAVANAE KINO.
Originally the festival was held in Belarus, but because of political repression and publicly stated anti-war stance, screenings and events can be held in different countries. First of all in Poland (Warsaw), Germany (Berlin, Hamburg), Lithuania (Vilnius). For example, the 11th and 10th Nefiltravanae Kino took place in Warsaw, Berlin, Hamburg, Vilnius and Helsinki. The content of past years' film programs can be found on the website https://shortmovie.club/programmes/
The festival will be held in a hybrid format. We will have a part of live screenings and online screenings on a video platform https://film.nofilterkino.org/ . The video is cryptographically secured. In addition, we pay attention and promote films from our previous years that are released to the public on the Internet after their festival curcuit.
Nefiltravanae Kino involves theater, artists to interpret symbols and history. We work with the audience's reaction and participants' as well.
--------------------------------------------------------
The concept of the NEFILTRAVANAE KINO (NoFilter Kino):
ALIENATION PROBLEM
We live in a world of malls and cinema multiplexes. We see that indie cinema and non-commodity art go to the periphery of public attention. Primitive attractions replace the cinematography. The escape audience is alienated behind the big screen. So modern mainstream cinema is part of a manipulating tool that leads to the society of alienation. Thus the tendency is that indie cinema becomes more unreadable for the wide audience. We should understand the context of the filmmaker to understand the independent cinema. That is why the NEFILTRAVANAE KINO concept implies the physical presence of filmmakers.
FILM SELECTION PROBLEM
Filmmakers shoot millions of movies. And thousands of short film festivals organize screenings all over the world every year. On average, several thousand films are submitted to a film festival. So various good films can be neglected for whatever reason. Often selecting probability is like winning a lottery. As a result, filmmakers are left with no feedback. It is a paradox that no one can hear you in the age of the Internet! The mainstream culture prefers attractions and casual viewing.
Also, this idea is based on the film selection problem. Perhaps it’s no surprise one person, i.e. programme director at best, or even students of film schools make a preliminary decision to select a movie. Сoncordance of judges or previewers is more seldom thing than the difference of background, tastes. So selection or judging can be one-sided or perfunctory. It is not bad as the programme director has a good taste and aesthetic sensitivity, of course. But we’ve discovered another conception of “unfiltered cinema”. We matched it against “the best of the best” way. This way aids to perceive cinematic idiom without the dictate of art-curators.
CELEBRATION OF INDIE CINEMA
So the NoFilter Kino tries to avoid “the best of the best” way but it does not ignore it completely, sure. The festival selects fiction, animation, documentary, experimental and virtual reality sections. A jury awards the best film in every section. The festival holds the screenings at cinema theatres, the National Centre for Contemporary Arts, and art-spaces.
Our aim is to gather people in art, to have a dialogue to be happy with smart communication. Cinema is art but not sport. The key point of our project is to establish communication between the filmmaker and the audience.
Please, read about the festival history through the link to the festival's website. http://shortmovie.club/history/
