WORLDFEST NOW ACCEPTS ONLINE FESTHOME SCREENERS! WE HAVE LG & SHARP 110" DIGITAL BIG SCREENS FOR JURIES! WE DO ALSO ACCEPT DVD, BLURAY OR USB FLASH/PEN/JUMP DRIVE FOR JUDGING AND FOR THEATER SCREENING! Region Zero! (If you win a Remi, you may be screened on big Cinemark Theatre screens to 600+ theater audience!! So we need a BluRay, DCP or Jump Drive for the DCP screening! Large juries view your entry on a big digital screen, not a little laptop! We will personally confirm your entry's arrival.
WorldFest is the only film festival in the world that gives your entry a grade, a score! Your score can earn you a Remi Award! We do not believe that there can just be three winners in a category, a Gold, Silver and Bronze - so we assign your entry a score from the jury! An A+ wins a Special Jury Award and is considered for the Grand Remi! An A score wins a Platinum Remi, an A- wins a Gold, a B+ wins a Silver and a B wins a Bronze Remi. No Awards are made below a B level score. With more than 4,750 category entries, only about 10-15% actually win a Remi Award, but we feel it is the best possible way to run a festival awards system!
55th WORLDFEST-HOUSTON SETS FEST DATES, CALLS FOR ENTRIES!
“FORGET SUNDANCE! …WorldFest is one of the best conceived festival productions on the planet!” ~ Craig Outhier, film critic, Phoenix press; Tempe Times.
The 55th Annual WorldFest-Houston International Film Festival continues its totally dedicated Independent Film screening format for the upcoming April 20-24, 2022 unspooling. WorldFest will screen just 60-80 feature film premieres and over 130 Shorts with a total and absolute emphasis on the American and International Independent feature film and a continuing annual spotlight on award-winning short films and documentary films. Entries Officially Open Aug. 15, 2021. The EarlyBird Entry Deadline is Nov. 15th 2021 – A Mail-By/Enter By/Ship-By Deadline! Entries do not have to arrive by this deadline. The Main Entry Deadline is December 15, 2021. The Late Entry Deadline is Jan 15th 2022!
WorldFest Artistic and Program Director, Kathleen Haney, stated, “We are fiercely dedicated to the Indie Feature and Short Film and look for a quality selection of individual films to maintain a smaller, yet effective program rather than an overly large and unwieldy slate of 150-300 films. Haney continued, “For the 2020 WorldFest we continue to use ‘A good story, well told’ as our time-tested approach to film selection”. WorldFest-Houston now accepts Online, Thumb-Drive & DVD/BR format entries.
This year WorldFest presents its 8th Annual Panorama Asia, the largest survey of new films from all of Asia & China in the whole, wide world! More than 200 directors and filmmakers will attend from Beijing, Shanghai, Korea, Taiwan, Mongolia, VietNam, Cambodia, the Philippines & Japan. China is now the largest box-office and production revenue country in the world, surpassing the USA. There is a special Panorama Asia theater and a dedicated section of the program book.
WorldFest Grand Remi Award Winner, Ridley Scott commented “WorldFest is in the business of validating excellence!” We are delighted to agree! The mission of WorldFest is to recognize and validate creative excellence in film & video production in every facet and category of filmmaking. Many filmmakers report that a Remi Award from WorldFest opens doors to advance their careers.
WorldFest will continue with its annual Short Film Showcase, a special review of 130+ new short and student films...from the festival that gave first top honors to Spielberg, Lucas, Francis Ford Coppola, Randal Kleiser, The Coen Brothers, Ridley Scott, Robert Rodriguez, Spike Lee, Gavin Hood, John Lee Hancock, John Frankenheimer, Michael Cimino, Leslie Linka Glatter, Oliver Stone, Ang Lee, Atom Egoyan and David Lynch, among many others! Few other festivals have such a “Discovery” track record. WorldFest has emerged as the oldest continuous film festival management in the world with the same executive director, serving with a special vision for 53 consecutive years. A few other festivals are older, but they have had as many as ten different directors. It is the oldest film festival in The South, and the 3rd oldest International Film/Video Festival in North America, after San Francisco & NYC.
The 55th Annual WorldFest-Houston International Film Festival highlights include a Red Carpet Opening Night Gala, the Remi Awards Banquet with top honors presented to more than 1,000 up-and-coming attending filmmakers from over 75 countries from round the globe, there are 9 Master Classes in Film & Video Production, a nightly Festival Club at the HQ Westin-Memorial City Hotel, Indie Panels, a VIP tour of NASA with a special police escort and an exciting Houston Yacht Club Sailing Regatta & Texas BBQ. All offer superb networking opportunities!
WorldFest began in August 1961, as Cinema Arts, an International Film Society. It began screening Independent, foreign & art films. It became an officially competitive International Film Festival seven years later, in April 1968, and has been in continuous operation since. It is one of the original three film festivals in North America, with San Francisco and New York as the first two events. Following WorldFest was Chicago, Cleveland, Dallas, and Seattle. Then Sundance and SXSW, Toronto and Tribeca. Now there are more than 3,500 USA film festivals of various types, levels and quality, most being simply non-competitive screening events! WorldFest is international, competitive and invites filmmakers worldwide.
The 55th Annual WorldFest offers International Competition in; Features, Shorts, TV production, TV commercials, unproduced Screenplays & Teleplays, Experimental, Student, Documentary, Business & Industry, New Media, and Music Videos. You may enter the Feature, Short, Student, Experimental, Student, Music Video, and New Media-Websites via FestHome. You must go to our main website (worldfest.org) to enter the TV Production (100 series), TV Commercials (400 series), Film & Video Production (200 Series) and the Screenplay Competition (700 Series). WorldFest is the largest film & video competition in the world, in sheer number of actual category entries, with more than 4,750 category entries received in 2020. There are almost 200 sub-categories for competition, allowing each film to compete in its own individual genre.
WorldFest-Houston is sponsored by Memorial City Mall, Cinemark Theatres, Boxer Properties, the State of Texas, the City of Houston, HBU Fitness Center, Kodak, NASA, Lopez Negrete Communications, the Houston Yacht Club, Maggiano's Ristorante, Avis/Budget, The HQ Hotels Westin & Zaza, The Houston Chronicle, Regent University Film School, the Houston Yacht Club, and the Houston Film Society
The 55th WorldFest-Houston – 9898 Bissonnet, Suite 650, Houston, Texas 77036, 713-965-9955, Fax is 713-965-9960 – Email is – info@worldfest.org – The website is https://worldfest.org
In the Official Competition Programme of The Festival the right to participate have short fiction, animated and documentary films from film schools in the countries of the Balkan Peninsula and the Black Sea region (Bulgaria, Romania, Serbia, Montenegro, Macedonia, Greece, Turkey, Albania, Kosovo, Bosnia and Herzegovina, Croatia, Slovenia, Ukraine, Moldova, Russia, Armenia, Azerbaijan, Georgia).
The films should be directed by students in a regular form of education from the first to the last semester, regardless of their degree. The participation of students in the rest of the team or the cast is not a sufficient condition for selection.
국제영화제는 2018년 1월 1일부터 메이드된 단편영화 및 장편 영화, 소설, 다큐멘터리 및 애니메이션 영화에 전념하며, 어린이들간의 문화 대화, 사회적 응집력 및 인권, 특히 12 세까지의 어린이. 진부한에 빠지지 않으려 고 스페인에 거의 도달하지 않는 품질의 영화를 보급합니다 . 따라서 점차 축제는 상호 관심의 프로젝트의 회의와 토론을위한 분야로 의도된다.
The Vaughan International Film Festival is a unique event, with a style all its own.
Now in its 6th edition, this exciting five day event proudly showcases both local and international talent – on all levels. Our Founders: Antonio Ienco and Mark Pagliaroli, present their audiences with multi-genre short films -offering an ideal platform for independent film creators to put forth their work.
This Non-for-profit organization brings you public film screenings of Canadian and International cinema, vibrant social events and a lavish awards show- complete with a prestigious Golden Reel Award. We also support and further arts education with various scholarships and bursaries; granted to young filmmakers, art students and educational institutions in our city. Throughout the past several years, the VFF has remained focused and true to its objective: To satisfy the cultural appetite of this growing community while offering an arts forum befitting our world-class city. We look forward to delighting our audiences for years to come.
토론토 쇼츠 국제 영화제는 캐나다에서 가장 큰 단편 영화제입니다.
토론토 쇼츠는 전 세계 영화 제작자들의 최고의 단편 영화를 선보이는 비영리 단체입니다.
토론토 단편 영화는 뉴욕에서 페스티벌 여정을 이어갈 것입니다.
우리는 단편 영화와 그 제작자들이 토론토에서 장편 영화와 비슷한 인정을 받을 만한 자체 프리미어 영화제를 개최해야 한다고 생각합니다.
토론토 쇼츠는 모든 장르의 영화가 교차하는 곳입니다. 영화제의 핵심은 45분 미만의 고예산 영화부터 저예산 영화까지 다양한 카테고리로 구성된 특별한 영화 프로그램의 질과 범위입니다.
올해로 14회째를 맞는 이 영화제는 커리어의 디딤돌이 되었으며, 다음과 같이 아카데미상 후보에 오른 영화 제작자를 발굴하고 홍보하는 전통을 확립했습니다.
2021년 오스카상 후보 파라 나불시의 '현재'
트레버 히메네즈의 2019 오스카 후보 '주말'
2018 오스카 후보 'Watu Wote - All of Us' (독일), '더 일레븐 어클락' (호주)
토론토는 캐나다 최대 미디어 시장으로서 세계적으로 유명한 로열 온타리오 박물관, 거대한 온타리오 미술관, 소울페퍼 시어터 컴퍼니, 토론토 심포니 오케스트라, 토론토 쇼츠 국제 영화제 등을 자랑합니다.
전 세계 최고의 단편 영화와 영화 제작자를 선보입니다.
New York City Independent Film Festival (NYCIndieFF) will hold a physical festival this year. We will celebrate the Independent Filmmaker, documentaries, short and feature-length films and animation. Whether a submission is comedic, dramatic, or something in between, The NYCIndieFF is eager to embrace fresh ideas and storytelling.
Home of the NYC Indie Awards the festival aims to discover the Artist Filmmaker, showcasing them to the entertainment industry and the NYC public. All NYCIndieFF screenings take place in the historic center of NYC, Time Square which is the perfect home for an event geared toward creating incredible opportunities for independent voices.
NYCIndieFF honors the Best in Category which includes Best Narrative Feature, Best Documentary, Best Short Documentary, Best Short Narrative, Best Super Short, Best Covid Diaries, as well as Best Director.
NYCIndieFF provides a showcase for the best in independent cinema, including short films, feature films, music videos, and animated works. With panels, parties and a week-long gathering of fellow indie filmmakers NYCIndieFF is the place to be June 3 to June 7, 2026 This dates may move to accommodate any and all government regulations.
Submit now to be a part of all the excitement and join our community of Filmmakers from around the world. See in this year in NYC in 2026!!
The RIOS - International Documentary Film Festival and Transmedia is defined as an activity platform for the creation and promotion of author projects within the scope of independent cinema and audiovisual and aims to:
a) give visibility, serving as a promotional platform, cinematographic and audiovisual works whose aesthetic approach is related to the reality of the river;
b) to serve as a work platform for a deep reflection on thematic documentary cinema;
c) encourage the creation of author projects that focus on the aesthetic deepening, the discovery of new territories, new styles and new supports that can define the reality Rivers;
d) create a creative platform linked to the Rios theme in the field of photography, plastic arts, literature and dramatic performance;
e) to contribute to the diffusion of first university works and documentaries in the thematic scope;
f) encourage the creation of inter-university partnerships in the field of documentary film and audiovisual.
The RIOS - International Documentary Film Festival and Transmedia, inserted in a region inevitably linked to the Douro, intends to explore and divulge the aesthetic potentialities linked to the river, making it a privileged space of cinematographic creation in the documentary scope. Vila Real, during the festival, will be an international cinematographic meeting point that will allow the exploration of the region and the gestation of new projects and new aesthetic creations.
Attention to all film talents: From 21 November 2017 until 31 January 2018, filmmakers will have the chance to apply for the LET’S CEE Short Film Competition 2018. Not only are two main prizes waiting to be won, moreover, ten finalists will receive an invitation to participate in the second edition of the LET’S CEE Talent Academy in Vienna!
Between 21 November 2017 and 31 January 2018, filmmakers up to the age of 35 from Central and Eastern Europe, the Caucasus region, Turkey and Austria will have the possibility to submit their short films to the Short Film Competition of the LET’S CEE Film Festival 2018.
However, filmmakers of all ages and from all over the world are welcome as well to send in thematically fitting contributions. Due to the festival’s geographical focus on CEE though, these short films will not be included in the main Short Film Competition, but will very well have the chance to win the Audience Award in the Short Film category and be screened at the festival in the section Short Films | Out of Competition. We furthermore cordially encourage international makers of virtual reality films, 3D productions and avant-garde pieces to apply as we will be offering these genres a stage at our festival as well.
The theme of the Short Film Competition 2018 is TOGETHER OR APART.
Great Britain voted for the Brexit last year and in doing so decided against a EU membership; most recently thousands of Catalan people went to the streets demanding independence from Spain; under the presidency of Donald Trump, the USA is seeking to withdraw from the Paris climate protection agreement and renegotiate various other commercial treaties – these are only three of many examples demonstrating the recent shift of the political mood in numerous countries. A growing migratory pressure, an increasing gap between the rich and poor, as well as justified and unsubstantiated fears – of the consequences of digitalisation, of the loss of jobs and stability and of social change – have discredited globalisation and encouraged a comeback of nationalist and isolationist tendencies, which seemed utterly unfathomable only a few years ago. Even on a national scale, societal cohesion appears to be threatened more and more. How does the growing division of society influence both the community and individuals? Will political agitation, hatred, egotism and greed for profit become the new normal? Well, the situation is critical, but not hopeless, neither on an international nor a national level. There are still representatives of the civil society who make no effort to surrender to the threatening eroding solidarity. Fortunately, there are numerous instances proving how people still advocate for the poor and disadvantaged with great optimism, dedication and empathy – people who rather pay attention to what we have in common instead of what keeps us apart.
The competition’s theme, TOGETHER OR APART, may be manifested in the submitted material in various manners and methods. Interpersonal aspects, such as family and relationship dramas, trials and tribulations, moments of success and happiness or the joint overcoming of challenges can be taken into account just as well as social, political, juridical and/or cultural matters. In other words: everything is possible, as long as it touches on the topic and is done well!
An advisory board chaired by the renowned Austrian-Iranian filmmakers Arash T. Riahi and Arman T. Riahi will choose the best contributions from the submissions for the LET’S CEE Short Film Competition. The short films, which will be screened out of competition, will be selected by the Bosnian-Dutch producer Denis Mujović and festival director Magdalena Żelasko.
After the presentation of the participating productions at the festival, an international jury will decide on the winner of the competing short films and, thus, who will be awarded the main prize – 1,500 Euro and a Urania statuette – at the Awards Ceremony in the Urania Cinema on 20 April 2018. The remaining short films presented during the festival will have, without exception, the chance to win the 1,500 Euro Audience Award in the category Short Film.
All filmmakers who will take part in the main Short Film Competition will additionally profit from their participation. At the expense of the festival, one of the involved filmmakers of each short film will be invited as an official guest*) to Vienna in order to present their work. Those persons will, furthermore, have the opportunity to join the second edition of the LET’S CEE Talent Academy.
15 remaining free seats for the Talent Academy will be filled by Out-of-Competition filmmakers. The most important items on the one-week Academy agenda include the attendance of LET’S CEE Master Classes and LET’S CEE Industry Days, the collaborative finalisation of a short film about Vienna, and the once-in-a-lifetime opportunity to pitch a film idea to Raindance film festival director Elliot Grove (and win big!) at the Pitching Competition. Of course, all invited filmmakers will enjoy several Get-togethers, where they can get in touch with successful distributors, directors, producers, actors etc., exchange experiences and new ideas and thus strive to new projects and international collaborations. In order to enable as many filmmakers as possible to visit LET’S CEE and present their work to the festival audience, all participants of the section ‘Short Films | Out of Competition’ will receive free festival accreditations and discounts for the official hotel partner on request.
Experimental Forum is an international performance, film and video art festival showcasing experimental film and artists’ moving image from new directors and innovative video artists from around the globe, with the third edition taking place in Los Angeles in November 2018. Our aim is to provide a supportive platform for the exciting and challenging work that is outside the scope of mainstream film festivals and art galleries.
We welcome experimental cinema pieces (abstract, narrative or documentary), video art works, essay films, artists’ moving image and media art, as well as documentary and narrative films that seek to expand, redefine or reconfigure the means and ends of their respective fields. Experimental Forum exists to provide access to, and develop audiences for, artists’ moving image work and is committed to engaging local audiences with new and/or unheard voices in film.
We are particularly interested in works made by early stage filmmakers and artists whose work is underrepresented. We provide a collaborative platform for moving image works made for the gallery and for the cinema with the aim of building a community across disciplinary and institutional faultlines.
Our Films go from PIFF to CANNES! And some even win! Such as the films: "Tuesday", "Our Father" and "Til Then/Bis Gleich"! Or perhaps your film will be acquired by the SHORTS HD Channel! Who's it going to be for 2018?!
PIFF Attendees: Martin Sheen, Michael Gross, Doris Roberts, Jason Ritter, Clare Kramer, Mimi Kennedy, John Bowe, Kim Coates, Melissa Fitzgerald, James Marsters, Jay O. Sanders, Lee Meriwether, Sadie Calvano, Tom Lenk, Charisma Carpenter, Dee Wallace, among others
Many of our films garner distribution at PIFF. We host a selection of the finest distribution companies at the top of their game who find gems at PIFF and go on to acquire them.
"The Pasadena International Film Festival is an experience not to be missed by filmmakers. From the elegant black tie Great Gatsby Gala Opening night, to the diverse, informative panels, to the top quality screenings in an actual mainstream movie theatre… in over ten years of traveling the festival circuit with multiple films, this was, hands down, one of the best-run festivals, and the best times I have even had AT a festival. I wish I had another film ready to go so I could submit next year!"
-- Filmmaker, Heather Connell
"You guys really put on a show! I can't imagine doing what you did to pull things together. The organization and logistics… everything ran so smoothly, and looked so positively effortless, that it belied all the long hours and dedication you poured into this project. You also managed to assemble a marvelous group of volunteers and staff, all of whom are to be commended for their work. I heard nothing but superlatives from all who attended. Filmmakers and audiences alike felt welcomed and nourished by the experience, and I feel certain that the good words they take home with them will go a long way to put this festival -- and your hospitality -- on the map. My wife and I, along with our friends, are already looking forward to next year's festival -- and to watching it grow in your capable hands."
-- Michael Gross, actor, T.V.'s "Family Ties"
The Pasadena International Film Festival seeks to create a place for artists to come together. Sure, there are many festivals, but there can never be a cap on creating art, can there? We harken back to a time of Old Hollywood, before this world got crowded, and jaded, and super-saturated… the entertainment industry was fresh and new… before the stock market crashed...when there was enough space, and time, and money for everyone. Parties lasted all night, and friendships lasted a lifetime. Won't you join us?
Awards & Prizes
If accepted, winners receive All Access Passes, swag, Filmmakers receive a screening of their film at the beautiful Laemmle Playhouse 7 Cinema and a "Q and A" after every screening. Passes include access to our Filmmakers Lounge, Great Gatsby Gala, and Filmmakers Fiesta.
If you win an award, you receive a stunning Sculpture and Laurels for each award. In addition, our Jury is a cross-section of the best in the industry.
Our winning filmmakers go on to meet with top managers, agents, and other industry pros. For example, one of our jurors is part of Cannes Film Festival with the American Pavilion Emerging Filmmaker Showcase program, and has "discovered" films via PIFF. Our Jury are also in acquisitions and purchase films for their various outlets and platforms such as Shorts HD.
LA 언더그라운드 필름 포럼 (LAUFF) 은 영화, 비디오 및 오디오 기반 매체에서의 실험의 로스앤젤레스 최고의 쇼케이스입니다. 이 영화는 아방가르드, 아트 하우스, 독립적이고 저예산 영화 제작에 중점을 두고 있으며, 2020년7월에는 5번째 에디션이 개최됩니다.
우리의 프로그램은 영화 제작자들이 새로운 접근 방식을 재발견하고 탐구하며, 새로운 형태의 미디어 아트를 육성하고, 그러한 작품에 대한 청중을 키울 수 있는 장소를 제공합니다. 우리는 “지하”의 개념에 대한 많은 정의와 해석을 탐구하는 광범위한 작업을 제시하고자합니다.
열정과 강박 관념으로 만든 영화, 기대와 장르를 뛰어넘는 영화, 수용된 형태와 콘텐츠의 경계를 넓히기 위해 노력하는 영화, 비디오 및 오디오 프로젝트를 찾고 있습니다. 저자의 강한 감각은 필수입니다.
LauFF는 드라마, 다큐멘터리, 실험, 컬트, 아트 하우스, 외국어, 코미디, 공포, 공상 과학, 판타지, 애니메이션, LGBT, 원주민, 에로티즘, 슬로우 영화와 비디오 아트...
신사 숙녀 여러분,
FICIAT의 발기인인 알빈 쿠암보 여사는 2026년 3월 25일부터 28일까지 카메룬 바푸삼에서 열리는 제12회 국제 독립 영화 및 연극 예술 페스티벌 “FICIAT”를 발표하게 되어 기쁘게 생각합니다.
아프리카 문화 갱신을 위한 스크린 협회 (약칭 “RECA”) 가 주최하는 이 행사에는 세계 각지의 영화 및 연극 예술 배우들이 한자리에 모일 것입니다.
이번 에디션의 주제는 “무대에서 스크린까지: 상상력을 자극하고 사람들을 연결하며 문화를 통합하는 것”입니다. 영화제 기간 중 경쟁 부문과 비경쟁 부문에 해당하는 영화 및 연극 공연의 출품작을 환영합니다. 이번 페스티벌에는 라는 이름의 거대한 플랫폼이 설립될 예정입니다. 페스티벌의 주요 활동이 집중되는 곳입니다. 공간을 확보할 수 있지만 수량이 매우 한정되어 있습니다.
FICIAT는 카메룬 예술 문화부의 높은 후원을 받고 있습니다. 이 영화는 번호 024/MINAC/SG/DASEC/SAEC/012에 등록되어 있으며, 미국 WITHOUTABOX 조직의 국제 영화제 등록에도 ID 번호 11,891으로 등록되어 있습니다.
모든 정보는 다음 주소를 참조하십시오.
국제 독립 영화 페스티벌 및 연극 예술 건물, 테니스 클럽 옆
사서함: 557 바푸삼-카메룬
전화: (237) 657 571 058/699 840 853/ 673 282 619
이메일: infos.ficiat@gmail.com
웹 사이트: http://ficiat.net
페이스북: 피시아트
안부 인사!
Let's start a new beginning with this new year and a season 2nd of this International Film Festival, We would like to introduce ourselves - We're Director's World International Film Festival (DWIFF), New Delhi, a traditional film festival and awards competition created to Encourage, Promote and Provide a platform to all Budding and Professional filmmakers all around the world with recognition for their film-making and screenwriting achievements. We are Inviting all aspirants Film-Makers to participate and submit their Films vie. our film submission Partner Festhome.com to send us your film
We at Director's World International Film Festival (DWIFF), has an aim to help you launch your professional life in film.
Apart from the Film Screening, our foreign delegates and the participants from the different states will enjoy the richness and diversity of the handicrafts, hand-looms and cultural fabric of India, also a large number folk artistes and cultural groups present day performances at the open-air campus.
Festival Venue -
University Of Delhi, New Delhi,
India,
Date and Time – 05th, to 09th February, 2018,
from 12:00am to 06:00pm
- FESCISA has the mission of giving publicity and projection to the independent production of short films and feature films; To bring independent filmmakers closer to the Ecuadorian public.
- Project the production of local, regional and world films in the city of San Antonio de Ibarra. Films of diverse genres, where subjects of humanity, social, solidarity, childhood, women, among others predominate.
최근 수십 년 동안, 그리고 영화의 대부분의 과정을 스캔하는 신기술이 등장하면서 다큐멘터리는 전 세계적으로 악명 높고 체계적인 성장을 이루었습니다. 우리 나라에서는 이전에 거의 오로지 소설에만 관련된 작품이 10년이 넘는 기간 동안 새로운 주제, 새로운 접근 방식, 새로운 지리, 새로운 딜레마로 그 순위를 넓혀 왔습니다.
이러한 맥락에서 FIDBA가 첫 번째로 제안되었습니다. 다큐멘터리 영화의 형식과 행위가 소설의 그것과 다르다고 믿는 한, 같은 팬이 있는 영화라도 그들과 대중과 만나 대화를 나눌 수 있는 이 장르에 전념하는 국제 영화제입니다. 다큐멘터리가 FIDBA의 만남의 장소라면 잘 알려지지 않은 회고록에 대한 보간을 제안하는 것이나 다름없으며, 정지된 현재와 (우리의) 미래를 혼란에 빠뜨리고 있습니다. 그러면 FIDBA는 다큐멘터리를 연계한 관객, 영화제작자, 사상가들 사이뿐만 아니라 우리가 “논픽션”이라고 부르는 것 안에 있는 다른 경계와 이질적 표현에 이 공간을 열어주고 영화의 범위를 넘어서는 현대적 표현으로 대화하도록 장려하는 항상 자극적인 가능성과 관련된 접근 방식이 될 것입니다.
FIDBA는 특정한 역사적, 사회적 맥락에서 우리에게 인간의 삶에 대해 물어볼 수 있는 인간의 초상에 대해 영화를 연구하고 우리를 둘러싼 세계에 대한 지식의 한 형태와 연관되어 있는 영화 제작자들에게 특별한 관심을 기울일 것입니다. 따라서 현실뿐만 아니라 상대방을 촬영하는 것과 관련된 윤리적, 도덕적 관계도 반영하는 것은 작가들입니다.
FIDBA는 현실에 대한 인식을 넓히고자 하는 영화 제작자와 현실을 이해하고 예측하려는 노력을 한 단계 더 발전시킨 영화를 지원하는 곳이 되는 것을 목표로 합니다. 따라서 미학적 독창성이 다큐멘터리에 대한 아이디어뿐만 아니라 동일한 영화와 그 가능성에 대한 생각을 위험에 빠뜨리는 영화에 초점을 맞출 것입니다. 이러한 초점은 현실과 관련하여 카메라 또는 영화의 실제 전면의 상태에 의문을 제기하는 것을 의미하므로 이는 발생하는 매개와도 분리될 수 없습니다.
