These guidelines establishes the rules for the selection of Brazilian and international short and feature films to be screened in the competitive programs that will comprise the program of the 1st Goitacá International Film Festival, organized by Quiprocó Filmes, taking place from August 19 to 24, 2025, in Campos dos Goytacazes.
1. OBJECTIVE
The Goitacá International Film Festival aims to promote and disseminate Brazilian and international independent cinema through film screenings, debates, and the exchange between audiences, filmmakers, producers, industry professionals, curators, exhibitors, distributors, and critics. The event includes the International Competitive Program, the Brazilian Competitive Program, the Zezé Motta Program (focused on racial and gender diversity), the Olhares da Planície Program (showcasing films produced in the countryside of Rio de Janeiro), and the Kbrunquinho Program (focused on youth and children's content).
The program also includes a Training Program (workshops and labs), the Goitacá Cine Market (a space for developing new audiovisual projects and networking opportunities), and the North and Northwest Fluminense Cinema and Audiovisual Seminar, featuring panels, lectures, and roundtables.
2. PROGRAMS
2.1. The festival will consist of the following programs:
a) Brazilian Competitive Program:
For short and feature-length fiction and documentary films, whether previously released in Brazil or not. The curatorial team will prioritize contemporary themes, narrative innovation, and strong artistic voices.
b) International Competitive Program:
For short and feature-length fiction and documentary films, whether previously released in Brazil or abroad or not. The curatorial team will prioritize contemporary themes, narrative innovation, and strong artistic voices.
c) Zezé Motta Program:
Dedicated to showcasing and encouraging new distribution windows for Black Brazilian cinema. This section features fiction and documentary short and feature films addressing racial and gender diversity, with priority given to works directed and/or written by Black creators. Named in honor of actress Zezé Motta, born in Campos dos Goytacazes.
d) Kbrunquinho Program:
A competitive section for short and feature films aimed at children and young audiences (Rated: All Ages). Open to all genres, including fiction, documentary, action, animation, and more. A space for young viewers to experience a film festival environment.
e) Olhares da Planície Program:
A competitive section for short and feature films produced in the countryside of Rio de Janeiro state. The curatorial team will value local filmmakers and support the emergence of new talent.
Since June 2024, we have been organising independent and international cinema screenings in Lisbon, its focus being short films.
Our festival's mission is to make culture accessible to everyone!
Curtas na Cesta is Shorts in the Basket in english because we dedicate our time into harvesting the best and freshest cinema out there.
Rural FilmFest, member of Green Film Network (GFN) and Pantalla Federation, is an international itinerant film festival, which offers a current overview of international documentary film, fiction and animation in a short, medium and long format related to the rural world, ecology, sustainability and natural and cultural resources. Rural FilmFest is not a common film festival, it is a unique and unrepeatable event. It is a summer camp, with excursions, multi-adventure, geocaching awards ceremony (Yes, you read that right. As a filmmaker you will have to find your trophy at the closing gala via GPS coordinates), international coexistence, dance, party and lifelong friendships. It is the experience of your life and if you attend, you will not want it goes over and you will want to return next year... Just read the reviews to discover the opinions of other filmmakers who have attended the Rural FilmFest. If you have a fiction film, animation or documentary whether it is a short film or a feature film, do not hesitate to submit.
Valdivia International Film Festival showcases Chilean and international cinema in five competitive categories: Feature Competition, Youth Feature Competition, Latin American and Caribbean Short Film Competition, Latin American and Caribbean Children’s Short Film Competition and Chilean Short Film Competition for Film Students. Its non-competitive program includes historical retrospectives, contemporary filmmakers’ retrospectives, political cinema, avant-garde cinema, genre, and a children-family oriented cinema slot.
1.- OBJECTIVES
The festival aims to offer Chilean and foreign filmmakers a place to screen and to compete, and by doing so, promoting national and international film works of artistic quality.
2. DATES
The festival will be held from October 13th to 19th, 2025, in Valdivia, Chile.
Horrorant Film Festival ‘FRIGHT NIGHTS’ is an international horror film festival organised by a genre film distributor and held annually at the best equipped theatres in the heart of Athens and Thessaloniki, Greece.
After the success of the previous editions, sealed by the presence of the art director Roberto Faenza, Giuseppe Piccioni, Marco Risi, Ettore Scola, Alessandro Haber, Alessandro D’Alatri, Giò Giò Franchini, Mimmo Calopresti, Daniele Luchetti , Marina Confalone, Cristina Donadio, Marco Mario de Notaris, Guido Lombardi, Nunzia Schiano, Nandp Paone, and Enzo Decaro as chairpersons of the jury, Ignazio Senatore, psychiatrist and film critic, will conduct the annual Festival of Short Films “I Corti sul lettino – Cinema e Psicoanalisi” aimed at Italian and foreign filmmakers. This festival is reported on IMDB.
MISSION & OBJECTIVE
New Hope Film Festival is especially interested in discovering and nurturing talented but underappreciated filmmakers from around the globe.
ABOUT THE FESTIVAL
The 16th Edition New Hope Film Festival will take place from August 16-25, 2027. A hybrid festival with a combination of physical and virtual events, the New Hope Film Festival offers currently rare opportunities for in-person networking and audience interaction. The Festival owns and uses first class audio-video components for screenings, with 4K laser projection, reference-level surround sound processing and other high quality, carefully-selected components. All films are screened in physical, in-person events except under rare circumstances beyond our control, such as a pandemic or a problem with a venue. There will be a virtual networking event and a virtual awards ceremony, and both can be attended from anywhere that has an internet connection. The festival does not plan to host virtual screenings at this time. However, a limited number of virtual screenings may be offered with prior approval of the filmmaker and festival organizers. Any virtual screenings would employ state-of-the-art security, including DRM Encryption, a 7-day limitation for viewing and optional geo-blocking. Virtual screenings do not include live streaming events.
About the Festival
Touted as the "emerging 'Sundance East'" in a Huffington Post article, this internationally respected indie fest was founded by D. F. Whipple, an author, entrepreneur and long-time resident of the New Hope area. A former child actor who once had the lead role in The Big Yellow Fellow, one of the highest grossing educational films in American history, Whipple formed the New Hope Film Festival with a group of artists who shared his passion for discovering and nurturing independent artists, especially those who’ve been overlooked by established festivals. This includes international films, which the Festival is eager to attract.
What Makes the Festival Different
Every film submitted is watched with a keen perspective on quality and artistic expression. Artistic standards are extremely high, but neither budget nor prior notoriety is a determining factor—the art must shine through. This all-inclusive approach brings significant prestige, variety and unpredictability to the festival's annual lineup.
The organization's strong publicity and marketing program included an annual awards announcement in Variety until the dailies went out of print, as well as press coverage in mainstream outlets such as NBC, ABC, The Huffington Post, The Times of India and more. Mainstream and alternative news media press continues to be an area of focus, making this cutting-edge and growing festival a powerful bridge between indie obscurity and wider recognition.
The Location
Over the years, New Hope has attracted and been home to many talented producers, screenwriters, actors, playwrights, and performance art enthusiasts. Home of the Bucks County Playhouse, where actors such as John Travolta, George C. Scott, Robert Redford, Helen Hayes, Andrea McArdle and Colleen Dewhurst have graced the stage, the village is centrally located less than an hour from Philadelphia and an hour and a half from New York.
Al Este is a festival coming out from the french festival A l'Est du Nouveau. Present in Colombia since 2018, the mission of the festival is to promote film culture of the other Europe, that relegated to independent circuits, owning however, an invaluable wealth and tradition. Thus, Al Este - Colombia seeks to spread the filmography of Central and Eastern Europe into a profitable cultural exchange with South America.
Short Out is a film festival that has the ambition to represent a reflection's place on the issues crossing the suburbs.
The enhancement of peripheral spaces is a central topic to explore expanding territories and with the purpose of understand an urban context that invests in centralization.
In the margins lives an unexpressed or not yet explored artistic lymph and the desire is to bring it to light, starting from Lainate, on the edge of the metropolitan city of Milan.
The fourth edition of Short Out Festival will take place from Tuesday 1st to Sunday 6th July, inside the natural spaces and courtyards of Villa Litta, emblem of the artistic, historical and cultural heritage of the city of Lainate.
We desire to create a widespread Festival that does not end with the screening of short films.
That's the reason we thought of a Short Off with a rich program of meetings during all three days of Short Out Festival.
In an ever-evolving film industry, MICA 3 is at the forefront of a new wave of exposure-focused film exhibits. We believe that films should be seen, celebrated, and shared—not locked away in traditional festival circuits.
By joining MICA 3, your work has the chance to shine on a screening event and to reach a global audience through our extensive online exhibit, amplified by three months of paid advertising.
At MICA, we believe that the future of cinema is yet to be found, and we are proud to support the seventh art through this transition. Thank you for joining our film exhibit as a platform for your work.
3ª edition of horror and gore short film festival organized by Fester Entertainment.
A festival for lovers of horror and good rock, madness, dandruff and hooligan cinema.
Migration in Transit is a global festival that harnesses the power of cinema to delve into the complexities of migration, fostering empathy, inclusion, and intercultural dialogue. This event addresses multiple dimensions of human mobility, including:
Internal and International Migration: Movements of people within a country or across international borders in search of better opportunities or living conditions.
Refugees and Asylum Seekers: Individuals fleeing persecution, conflict, or human rights violations who seek protection in other countries.
Internally Displaced Persons: Those forced to leave their homes due to conflict, natural disasters, or violence but remain within their country’s borders.
Forced Migration: Displacements driven by war, persecution, economic crises, or climate disasters.
Migration, Environment, and Climate Change: Stories highlighting how environmental degradation, desertification, and extreme weather events compel people to leave their homes.
With its main hub in Peru (Piura, Trujillo, Moquegua, Lima) and international screenings in Brazil, Venezuela, Argentina, Spain, Colombia, Mexico, and the United States, the festival celebrates the stories of individuals embarking on a journey in search of a better future.
The festival invites filmmakers, students, and media artists from around the world to participate by presenting documentaries, fiction films, animations, music videos, and short films that depict migratory experiences from diverse perspectives.
The Amiens Festival of Film on Affective and Sexual Education (FFEVAS), organized by La Fabrique d’Images, will hold its second edition from May 4 to 7, 2026.
As the first festival in France dedicated to affective and sexual education through cinema, it presents an international selection of short films (fiction, documentary, animation) addressing themes such as consent, gender equality, sexual and gender diversity, sexual health, STI prevention, and the fight against gender-based and sexual violence.
Selected films will be screened before professional juries as well as youth juries. Several awards will be presented.
Animation Ciclos Shorts Fest is an international film festival that celebrates animation in all its forms, including traditional techniques, 3D, stop-motion, and experimental styles. Its country of origin is Colombia, but it is created for the whole world. Animation Ciclos Shorts Fest aims to showcase national and international audiovisual talent, promoting creativity and innovation among animators and filmmakers. The submission period for productions will end on April 16, 2025. Collectives, students, filmmakers, producers, enthusiasts, and the general public from all countries are welcome to participate in the competition.
Festival Dates
1st May 2025
Submission Deadlines
Call for Entry Opens: 1st March 2025
Regular Deadline: 20th April, 2025
Final Deadline: 20th April, 2025
Submission Process
Films must be submitted through Google Drive link or Vimeo link. (Accessible)
Participants need to register online on the Avlokan Film Festival 2025 website.
Eligibility for Submissions
Open to Short films, Short documentaries, and Vertical shorts.
All the films Submitted by Film Makers to the Festival under Short Film, Short Documentary and Vertical Shorts created after 1st January 2023 will be included under the Competition Section of the festival program.
Engativá is the third most populous locality in Bogotá; however, it is one of the least developed in terms of culture and cinema. There is talk of the cultural movements in Bosa, Kennedy, Ciudad Bolívar, and Suba, but Engativá is not mentioned. We are organizing this event to put the locality on the national and international map, with a large-scale event and outstanding films from around the world. Join us in making Engativá the epicenter of cinema in Bogotá and turning the Engativá International Film Festival into one of the country's most important film events.
In this second edition, FINCI becomes Hybrid.
This 2025, the International Festival of New Independent Cinema (FINCI) calls on the international audiovisual industry to register their audiovisual projects, which will be held online from September 20 to October 18, 2025, and in person during June and November in Buenos Aires, Mar del Plata, Mexico, and Spain.
MDM Film Distribution invites new independent filmmakers to submit their projects with the aim of having a new exhibition window for their projects and thus fostering the creative, negotiation, and distribution space. MDM gives new projects, new independent filmmakers the opportunity to be seen and for new audiovisual proposals to circulate within the audiovisual industry.
CALL FOR APPLICATIONS:
The call opens on January 30, 2025 and closes on April 20 at 11:59 p.m. (Argentina).
A total of 80 projects will be selected.
The projects can be seen through the festival's website, only during the festival period for those who access the FINCI online. Those who are in Mexico, Buenos Aires, Mar del Plata and Spain can enjoy the Finci in person.
On May 1st, the selected Mexican, Spanish, Buenos Aires and Mar del Plata projects can be seen on the Web and you can start buying tickets and access them in person. From May 2nd to July 18th, all the selected projects will be available online and you will be able to buy the content with a 20% Off. Those who access the Pre Finci will be sent the content starting on August 12th. Starting on August 20th, general FINCI ONLINE sales begin.
CATEGORIES:
FINCI#2 will have the following 8 categories:
- Feature films (up to 90 minutes - fiction)
- Short films (Fiction/Documentary up to 20 minutes)
- FINCI DOC (Feature films up to 90 minutes)
- FINCI pilot chapter (Fiction up to 50 minutes)
- FINCI female (Short films up to 20 minutes)
- FINCI LGBTQ+ (short films up to 25 minutes)
- FINCI fantastic (Short films up to 20 minutes) - science fiction-horror genre
- FINCI COAST (short films of 20 minutes feature films up to 90 minutes) - Mar del Plata
JURY:
The FINCI 2025 Jury is made up of those directors who won with their projects at FINCI 2024 with the aim of giving each of them more visibility and their projects more reach to the public and a community can be achieved in the audiovisual field. Also, that there are possibilities of connection. The objective of FINCI is to be able to understand that if there is a connection, between the juries, the selected ones, the spectators and me, we can all grow together since it is a festival that is made by everyone.
Feature Film Category:
Alejandro Gerber Bicecci
Graduate in Cinematography from the Centro de Capacitación Cinematográfica. He has written, directed and produced three fiction feature films: Vaho (2009), Viento aparte (2014) and Arillo de hombre muerto (2024).
She has been part of the writing teams of numerous series: The Cassez-Vallarta Case: A Crime Novel (Netflix), Stories of a Crime: Colosio Case (Netflix/Dynamo), María Félix, la doña (Televisa) Deep Drainage, The Lieutenant (TV Azteca), Cesar, the Story of an Idol (Disney / BTF Media); and the television series: The Eighth Commandment, Fortune, Camelia the Texan and The Traps of Desire (Argos TV), among others.
Vaho (2009) won the Jury Prize at the 10th Marrakech International Film Festival and Special Mention of the Jury at the 7th Morelia International Film Festival. Viento aparte (2014), premiered at the 29th Guadalajara International Film Festival; and screened at the festivals of Warsaw, Calcutta, Havana and Edinburgh. Won the Audience Award at the 18th Austin Film Festival Cine Las Américas.
Short Film Category:
Raul A Rodriguez
Born in Mexico City in 1996. He studied a degree in Communication with a specialization in Film at the Universidad Iberoamericana. His first short film, “Albatros” premiered at the 50th Huesca International Film Festival. His next short film, “Todavía te transformaré”, will premiere at the New York Latino Film Festival in 2024. He has been part of various independent projects, including short and feature films in Mexico. He participated in the inaugural residency of Bendfilm Basecamp 2024, where he was mentored by director Bing Liu, producers Christine Vachon and Effie Brown. He is currently in pre-production on his next short film: “Una fábula en el fin de los tiempos”. He is also developing a feature film script with his production company Antitrama.
Documentary Category:
Rod Ugalde De Haene
Rod is a director and writer interested in portraying the mystery that exists between the mind, nature and our bodies. He graduated from the Visual Communication degree at the Tec de Monterrey Campus Mexico City, his first opera, the documentary feature film "La voz arcana del corazón", premiered at the DocsMX 2023 festival and won the award for best documentary at the International Festival of New Independent Cinema (FINCI) 2024. His documentary piece "Para el Recuerdo" won the FILmamos contest within the framework of FILm, the European film festival of the FIL, Guadalajara 2023. He has premiered numerous short films at various festivals, highlighting "Ansiedad y Deseo" at the Morelia International Film Festival in 2021, and "Camellos en la Arena", at the Shorts Mexico and Fotogenia 2020 festivals. Some of the projects he has directed for television are "La vengancia de las juanas" for Netflix, "La Bandida" for Amazon prime, and "Verne: La isla misterio" for Disney +. He is currently working on the documentary "El descent a lo inexplicable”, a film selected for “Habitar el campo”, an Ambulante program for the development of projects led by Christiane Butchart. He is also developing the horror project “Peligro de muerte”, which was part of the “Feratum” residency for the development of fantastic scripts 2023. His poem “No es bastante tarde” was published by Casa País magazine and his short story “El gato, la araña y la cosa” by La sombra del Maderito publishing house. He is currently the founder of “Espíritu”, a publishing house for independent voices specialized in poetry, short stories and illustration. Since 2023 he has been practicing Butoh, a discipline he learned from the teachers Natsu Nakajima and Raquel Salgado. He teaches at the Tecnológico de Monterrey.
TV Pilot Chapter:
Sergio Sosa (Flixxo)
Sergio Sosa is a graduate of the Image and Sound Design degree (UBA). Since 2018 he has been part of the video platform and audiovisual production company Flixxo. He currently works as General Coordinator, managing the acquisition and production of content and Flixxo's participation in festivals and markets.
Category Female Cinema:
Sady Barrios
Producer certified by the National Institute of Paraguayan Audiovisual (INAP). Master of Distribution and Business in the Audiovisual Industry from the School of Cinematography and Audiovisual of the Community of Madrid - ECAM, Diploma in Cinematographic Production from the Ibero-American Center for Photo and Film Studies - CIBEF, Degree in Audiovisual Communication from the Autonomous University of Asunción. She was a Professor of the Higher Technical Degree in Cinematography at the Institute of Arts and Sciences of Communication (IPAC).
She has been working in the film, art and culture, media and advertising industry since 2006, supporting the development, production and dissemination of audiovisual projects. For several years she has participated in international film festivals and markets such as Oberá en Cortos, Ventana Sur, MAFIZ Málaga, Berlinale EFM, Series Manía, Cannes MDF, among others. She is the producer and director of the short film Hijas de Púa (2024), Producer of the short films Historias de Sudamérica (Oberhausen Selection, 2024), Otra Mano (Babel Film Festival Award, 2021), Production Coordinator of the TV Series Pequeñas Esperanzas II (2021), Production Assistant in Ejercicios de Memoria (2016), Art Producer at Mangoré, for the love of art (2014), AD of the feature film Libertad, la lucha por la Independencia (2011), Producer of the documentary Jesareko, for the international co-production series Parcerias entre Fronteras (2010). She was part of the Staff of the International Film, Art & Culture Festival of Paraguay, (2012, 2013, 2018) and the National Audiovisual Congress of Paraguay Tesape (2013), and of the programming department of Public TV Paraguay (2012).
LGBTQ+ Category
Nicolás Alvarez.
He graduated as a film director from the Universidad del Cine (Buenos Aires, Argentina). He directed “Violeta” (Best short film at BAFICI 2001 and Venice Film Festival). He premiered his first feature film as director “Lo Nuestro no funciona” (Bangkok Film Festival) at the Mar del Plata Film Festival in 2004.
Joaquín Ostrovsky. National actor graduated from IUNA (Buenos Aires, Argentina). He debuted with “Goce Artificial” (Buenos Aires, 1999). He acted in “Cerca” by Eduardo Pavlovsky (Madrid, 2002). In Spain he wrote and directed “Beautiful People” (2001), “Proyecto Aldo Pastur” (2003). She also directed “Kafka Kabaret” by Alfonso Pindado (Scena Contemporánea Festival, Madrid, 2002) and acted in “Silencio Banana y otros caprichos del Japón” (Scena Contemporánea Festival, Madrid, 2003).
In 2004 they met and began working together in film and theatre. In October 2024 they premiered “Yo nunca quise ser famosos” (I never wanted to be famous) a feature-length documentary at the Asterisco Festival, Buenos Aires (also selected in the ABC BAFICI Postproduction laboratory). They are currently developing a fiction film with which they have participated in the Queer Cine Lab in Malaga, PROMERCAT in Valencia and Residencia in Extremadura, Spain)
Category Fantastic Film
Macarena Dandrea Mohr
She studied film direction at the University of Cinema and graduated in 2013. She did her first job in film as a production assistant on the film Fermín, glorias del tango by Hernán Findling and Oliver Kolker. After the feature film, she was hired as a production assistant for her production company Función y Kuenta.
During that same year, she took a film direction course at the New York Film Academy film school. In 2015, she created alliances with the production company Magenta Films, which gave her the opportunity to work on her second feature film “Corazon Negro” by Juan Ribelli, covering the production area, and the series “Sofía” by Nicolás Tete. She also studies audiovisual TV production and scriptwriting with Pablo Culell and Jorge Maestro.
In 2016, she began working at the Lahaye post production company of Gabriel Lahaye developing content for Ibermedia. She worked as a production assistant for the Rebecca Films production company, placing audiovisual material at film festivals and created MDM films distribution, a production company that works nationally and internationally providing production services by placing audiovisual material at film festivals and seeking financing, film and TV markets, laboratories and pitch competitions for projects that are in the development, production and post-production phase. MDM aims to create different alliances and work networks that allow it to have access to participation in different projects.
In 2022, MDM created its academy section, giving group and personalized advice at a national and international level where it teaches the tools needed to be able to present projects at film festivals, financing funds, markets and pitch competitions and shows how the industry works from different sectors so that projects can be developed, enhanced and sold.
In 2023, he participated in the 24th edition of BAFICI, Buenos Aires International Independent Film Festival in the industry section, within the framework of Professional Meetings, giving a talk on the Development of Audiovisual Pitch Projects. In October, he traveled to the city of Montevideo, Montevideo to give his 6-week course on the presentation of audiovisual projects in person and gave a talk on Project Development and Pitch for university students at Dodeca.
In 2024, he continued to offer courses and created his first film festival FINCI, an international festival of new independent cinema, and the industry section FIINCI CINE CLUB, giving visibility to new filmmakers so that they can exhibit their projects by creating new meeting modalities and work possibilities. The first edition of the Cine Club took place on April 6. FINCI had its online version from July 30 to August 18. Now FINCI is going to be in-person, having its first edition in Buenos Aires from August 30 to September 15. FINCI plans to travel throughout Latin America to present the directors and projects of each country.
Coastal Cinema Category
Natalia Lódolo Cuenca
Argentinean audio-visual communicator and actress. She trained through seminars on acting in front of the camera, casting and self-casting, and specialized in the area of audiovisual production with professionals from both sides of the industry. She worked in the press in international relations for the Mar del Plata Film Festival (2022 and 2023). She also works in the production of music videos, both independent and for large productions, in documentaries and advertising.
